Creativity Friday: FOR THE KING giveaway winner!

Drumroll please! Congratulations to DAKOTA—I’ll be sending you an e-mail shortly with information on how to claim your copy of Catherine Delors’ historical fiction book FOR THE KING.I hope you will enjoy it!

More posts coming soon! There is just so much going on here that I haven’t had a moment to spare:

1. The first draft of my novel THE LILY MAID has been turned in. I’m awaiting feedback from my agent any moment now….. (gnaws knuckles). in the meantime, I’m immersing myself in research for the next go ’round. My reading material includes biographies of two famous Pre-Raphaelite muses, Elizabeth Siddal and Jane Morris—my main character in THE LILY MAID becomes a muse to an influential artist during 1880s’ England.

2. We’re in the midst of designing and hanging a new show at the gallery which is being curated by my husband, anthropologist Thomas Ross Miller. It’s entitled ON THE ROAD OF BONES. This haunting art exhibit will feature native Siberian and American photographers documenting Russia’s Old Kolyma Highway, built by prisoners of Stalin’s infamous gulag.

3. I’m finalizing several e-books for the iPad. These include SACRED ANIMALS and an old picture book favorite, RAPUNZEL.

4. And so much more—and all before we leave on vacation in mid-August.

And how is your summer shaping up?

• Filed under The Novel, art and words, creativity, new projects, publications, publishing, studio and gallery, the art world | 2 Responses

Creativity Friday: Interview and giveaway with Catherine Delors, author of For The King

So, you might be wondering, where have I been since June 18th? (Yup, this blog has been dark for that long!) The short answer: I finished my novel THE LILY MAID. The amount of work involved was all encompassing—the final draft came to 113,000 words or 392 pages. The manuscript was handed into my literary agent Monday. Hopefully she’ll like it! So far, she’s only read a synopsis of it.

Since finishing the manuscript, I’ve been engaging in lots of staring at walls and all around decompression and trying not to obsess about What’s Next. Writing THE LILY MAID has been one of the more intense creative experiences of my life. For now, it’s good to have a break to let the creative wells refill before I embark on further book revisions and other projects.

It’s perfect timing that my guest for today’s Creativity Friday is an author who’s been through the novel-writing experience twice—Catherine Delors. She’s generously agreed to answer some of my questions about her creative process. I originally “met” Catherine when my book DOOMED QUEENS was published and she interviewed me on her wonderful blog Versailles and More. I’m thrilled to host her in return.

The focus of my interview today is Catherine’s just-released novel, FOR THE KING (Dutton Books). FOR THE KING takes readers through the dark alleys and glittering salons of post-revolutionary Paris. It is a romantic thriller, a tale of love, betrayal and redemption. On Christmas Eve 1800, a bomb explores along Bonaparte’s route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel’s investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women. (Full disclosure: I worked with Catherine to create the book video for FOR THE KING. You can watch it on YouTube here.)

We’re giving away a copy of it to one lucky blog commenter. Rules are posted after the interview.

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Kris Waldherr: One of the things which has most impressed me about FOR THE KING is the amazing amount of historical detail you interweave within it. It’s quite astonishing! Your late father was a history professor. I can’t help but wonder about your own research methodology—was it influenced by him? How do you approach researching your novels? Do you do a lot of research in archives?

Catherine Delors: Thank you, Kris! Fortunately, my father lived long enough for us to discuss on many occasions my first novel, MISTRESS OF THE REVOLUTION, before his death. He always emphasized the importance of researching archives. I now realize how right he was on this point. And I would have loved to discuss FOR THE KING with him, in particular what I discovered about Fouché’s involvement in the Rue Nicaise bombing.

KW: As an author, I find that there are certain types of scenes that I find easier to write, others less so—for example, since I’m also an artist, I can get totally lost in writing visual descriptions! What was your favorite part of FOR THE KING to write? Favorite character to write scenes for? (I assume that would be your protagonist, Roch, but maybe not?)

CD: Well, I write descriptions because I cannot help it, but I much prefer writing dialog. In FOR THE KING, my protagonists, Roch and Blanche, were the most difficult to write. I really had fun with two of my villains, Fouché and Short Francis.

KW: You are French yet your novels are written in English. What are the challenges involved in doing this—especially since you’re writing about French history? Do you have a preference for writing in either language?

CD: I write French legal briefs, but have never penned any fiction in my native language! I should like to do that someday.

KW: Both MISTRESS OF THE REVOLUTION and FOR THE KING are set during volatile periods in history, before and after the French Revolution. Like your fellow historical fiction author Sandra Gulland, French history appears to be your métier. Do you have ever have fantasies of writing about a different historical period or even a different country? If so, what and why?

CD: Oh, yes! My next two projects are firmly rooted in the 18th century, but I have a long-cherished dream of writing about certain medieval historical character. A very important, yet now very obscure man…

KW: MISTRESS OF THE REVOLUTION was your first book; FOR THE KING your second. Did you find it easier the second time around? What are the difficulties of writing a second novel? Did you feel pressured after the wonderful reception of MISTRESS OF THE REVOLUTION?

CD: I found my second novel more difficult to write than the first. I believe it is not an unusual experience. Your first novel has a feeling of innocence about it. You simply go for it. With the second novel, you have learned much about both the craft of writing and the business of publishing. You worry whether the readers who loved your first book will follow you with this one. You wonder whether is it as compelling.

To give you an example, Kris, the initial draft of MISTRESS OF THE REVOLUTION was 315,000 words long. I had no idea of standard word counts at the time. (Editor’s note: Publishers expect historical fiction novels to be 90,000 to 120,000 words in length.) In retrospect I feel the novel was better in its long version (but then I love to read very, very long books myself.) Yet, to be blunt, in the real world a debut novel of this length is not publishable. So I had to cut it down to less than half of its length. Some parts may feel rushed now, especially the beginning. So be it, it was the price to pay to get it published.

So with FOR THE KING I paid much attention to my word count from day one. I did not want to have to cut into the flesh of the novel this time around. When I reached 80,000 words, I knew I had 20,000 words to wind down the story, and I stuck to that limit. It was an excellent exercise in writerly discipline for me, though it made it less of a spontaneous adventure. The upside was that, when it landed into my editor’s inbox, there was no more talk of cutting for the sake of cutting.

I am not moaning about the exigencies of publishing, by the way. Arbitrary material constraints have always ruled the business. English novelists in the 19th century were bound, so to speak, by the three-volume format. This did not prevent them from writing works we still enjoy today, long after the triple-deckers were consigned to the trash heap of publishing history.

KW: This is a question that I ask all my author guests: What advice would you give to writers working on novels (specifically historical fiction)? As the saying goes, hindsight is best sight: What do you wish you knew then that you know now?

CD: The only rule a writer needs to remember is to back up her work as often as possible. The best, most successful novels breach the rules you find in “how to” manuals. Once I completed the manuscript of MISTRESS OF THE REVOLUTION and began querying agents, I followed a well-respected site (no names named) for a few weeks, and believed its information, given in a very authoritative tone. Once I secured my own agent and got to know the real world of publishing, I realized how misleading the information was on that site. Yet I see many unpublished writers trust such self-appointed authorities. My advice: forget about “the rules” and concentrate on your writing.

As for historical novelists, they are no different from other writers, except on one point: they must thoroughly research their subject, and present an accurate version of the past.

KW: Another writing question: One thing you’ve also mentioned to me is the difficulties in finalizing a book ending. I know that you mentioned changing the ending to FOR THE KING. Can you tell us a little bit about that process? Were you happy with the final ending?

CD: No, I was not happy. The initial ending was more dramatic, darker than the one I eventually wrote. FOR THE KING explores some rather unsavory corners of the human soul, of politics, of 1800 Paris.  I felt the novel needed a happy ending of sorts to balance that. It simply felt right, it left things more open. Come to think of it, I only did that in my last rewrite, but misgivings about the ending had been lurking on my mind for a long time.

KW: Your “From Unpublished to Published” is a wonderful resource on your website detailing your journey to publishing MISTRESS OF THE REVOLUTION. I especially appreciate that you included the successful query letter that netted you your agent—a very generous gift. Now that you’re a bit further down the road with FOR THE KING, is there any new advice you’d add to this mix?

CD: Oh yes! Unpublished writers focus a tremendous deal of energy on the dream of publication, rightly so. But they should know this is only a first step in a literary career. The hard work begins AFTER your book is completed and you find a publisher.

KW: I follow you on Twitter. Several months ago, you had mentioned that you have two new books underway, just as I do. (Indeed, we joked that it’s like being pregnant with twins!) Is this still the case? Or has one book “won” out over the other? Can you share with us what these books are about? Will they also take place in French history? What can we look forward to reading next from you?

CD: Yes, we are both pregnant with twins. I am writing the prequel to MISTRESS OF THE REVOLUTION. It too is a historical thriller, the story of a serial killer in the mountains of Auvergne, twenty years before the French Revolution. And I am also working on a book on Jane Austen. The latter requires a tremendous amount of sleuthing in far-ranging archives, so the thriller/prequel will probably be completed first.

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Thank you, Catherine, for this wonderfully inspiring and generous interview! As I mentioned above, Catherine and Dutton Books have offered us a delctable copy of FOR THE KING to raffle off here. To win it, simply leave a comment by midnight, July 29, 2010.

The rules: Only one comment per person. Small print: Book can only be shipped to U.S. or Canadian mailing address. Winner will be chosen at random and announced here July 30.

Good luck to all!

• Filed under The Novel, creativity, friends and colleagues, giveaways and raffles, interviews | 12 Responses

Creativity Friday: School’s out….

… and Thea is now officially a kindergartener. The above photo was taken right after her preschool graduation celebration — look how pleased she looks! And now she is home until she begins summer camp in about two weeks. As for myself, my hours in the studio have been limited in the meantime. I’ve had to tie up a number of projects now that summer is upon me.

Here’s a quick overview of what’s what at this moment:

~ The first draft of The Novel (aka THE LILY MAID) is officially set aside for the next few weeks until my schedule frees up. The first draft is complete at 105,000 words — whew! That written, I still have a number of plot points and character arcs that require refining. I’m hoping that the time away will help me clarify my thinking as well as better judge what I have so far. Right now, I am careening between enthrallment and despair over all I’ve written. C’est normale, so I’ve been told. This is the longest manscript I’ve ever worked on — and fiction to boot! — so THE LILY MAID is brave new world territory for me.

~ I’m excited about e-books for the iPad. Toward that end, I’m moving forward on designing and producing THE BOOK OF GODDESSES e-book as well a a number of others: PERSEPHONE AND THE POMEGRANATE, SACRED ANIMALS, and more. So far, I’ve set up my publishing imprint with Apple’s iBooks, purchased my isbns, and am slowly mastering the finer points of the ePub digital format. (Apple’s iBooks only distributes ePubs, unlike Amazon’s Kindle which uses a proprietary format.) I’m finding ePub design to be a strange, slippery amalgam between website programming and book design. Much of what I’m learning as an e-book designer feels counterintuitive to me. But then again, it’s all new.

~ Related to above: I have a blog post on my experiences incubating about my discoveries and challenges designing for the ePub format so far. I hope to have that up once I have a chance to catch up in the studio, in a week or so. The short version is that my intention is to create the most beautiful, inspiring, and user-friendly e-books available despite the constraints of the medium. Here’s a peek at my e-book imprint logo, which will go within the front matter for each digital publication.

~ I’m considering making some of my more text-heavy books available for Kindle, such as THE BOOK OF GODDESSES. It seems as though people are wedded to one format or the other, based on what e-book device they own. For example, I’m amazed at how many people downloaded DOOMED QUEENS on their Kindles. However, I’m wondering if this is worth my effort, since the Kindle only handles black and white books at this time. I’d include all the art from my books, but obviously they’d be reproduced in black and white. Opinions? Thoughts?

~ We also have a new exhibit planned for next month at the gallery. I’m very excited about it since it will be curated by my husband, anthropologist Thomas Ross Miller. ON THE ROAD OF BONES will feature native Siberian and American photographers documenting Russia’s Old Kolyma Highway, built by prisoners of Stalin’s infamous gulag.

~ Next Friday (June 25) is our monthly tarot salon. Live in the NYC area? I hope you’ll stop by for a glass of wine, some chocolate and a reading. More information here.

And how is your summer shaping up so far?

• Filed under The Novel, be-mused, creativity, goddesses, new projects, publishing, the world around me | 2 Responses

The Book of Goddesses: the music composition!

Tomorrow evening marks the world premiere of composer Robert Paterson’s new music composition The Book of Goddesses. It will be performed by by the MAYA trio in a free concert that includes live video by Mark Alan Johnson incorporating images from my book of the same name. (The composition is based on my book of the same name.) There is a free wine reception after the concert — it should be a great evening!

Here’s information about the concert:

Date: Tuesday, June 8, 2010
Time: 8:00pm – 9:30pm
Where: Judson Memorial Church
55 Washington Square South (West 4th St bet. Sullivan and Thompson Sts.), New York, NY

MAYA, the trio of John Hadfield, percussion; Jacqueline Kerrod, harp; Sato Moughalian flute, will be presented by JudsonArts, at 55 Washington Square South, New York, in a program of new works, featuring four world-premiere performances on Tuesday, June 8 at 8 PM. Admission is free.

The concert is a co-presentation of JudsonArts, Michael Conley, Director, and Perspectives Ensemble. Generous support for these commissions came from The New York State Council on the Arts, the Jerome Foundation, the American Composers Forum, and the Spanish Ministry of Culture. Additional support for the performance comes from the Jarvis and Constance Doctorow Family Foundation and The Foundation for Iberian Music.

PROGRAM

different voices together (2010) • Premiere • Yotam Haber
(commissioned for MAYA by the Jerome Foundation) (b. 1977)

The Book of Goddesses (2010) • Premiere • Robert Paterson
(commissioned for MAYA by the NYS Council on the Arts) (b. 1970)
I. Sarasvati
II. Xi Wang Mu
III. Aphrodite
IV. Brigit
V. Estanatlehi
VI. Xochiquetzal
VII. Oya
VIII. Yemayá
IX. The Muses

Theoretical Wall (2010) • Premiere • John Hadfield
Sisters (b. 1976)

ASKLEPIOS (2010) • Premiere • Gabriel Erkoreka
(commissioned for MAYA by the Spanish Ministry of Culture) (b. 1969)
Bolgar Gypsy Horo trad. Hungarian Romani/
Kalman Balogh
Arr. Gregg August/MAYA

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If you live in the NYC area, I hope you can make it! I plan to attend with my family — exciting!

• Filed under be-mused, events, friends and colleagues, goddesses, the world around me | One Response

Authors at the Gallery: Sharon Lerner reading on June 4, 7pm

Reminder: Tomorrow night is journalist Sharon Lerner’s reading for her new book, THE WAR ON MOMS: On Life in a Family-Unfriendly Nation. Sharon is a fellow mom in my neighborhood, so I can testify from personal experience that she walks the walk as well as talks the talk. Her book has been garnering much attention — this is a hot button issue for many. I’m so pleased to be having Sharon at the gallery!

More about Sharon’s book: THE WAR ON MOMS is battlefield reporting on the widespread, brutal realities facing most American women today: the lack of paid maternity leave, the dearth of decent part-time work options, and the shortage of good, affordable childcare options. While there are many recent books about high-earning professionals mothers, this book focuses instead on the vast majority of women who can’t buy their way out of these dilemmas. It tells the truth that overworked, stressed-out American moms need to hear: that they’re not alone — and they’re not to blame.

Praise for THE WAR ON MOMS:

“A stinging account of how public policy and private businesses have failed to adapt to working mothers. Read it and weep at European family-friendly policies, like Sweden’s guarantee that parents can work reduced hours until their child is 8. Or read it and be grateful, perhaps, that you have it a lot easier than many others.”
— Jennifer Ludden, National Correspondent, NPR

“Sharon Lerner has turned her guns on the futility of the swanky “Mommy Wars” to reveal that the real war on mommies has little to do with wealthy women who opt-out or the quest for the perfect au pair…. Every mom who worries about managing a workload, a home, and a family needs to read this book. The laundry can wait.”
— Dahlia Lithwick, Senior Editor, Slate

Live in the NYC area? Here’s the info to attend the reading:

Friday, June 4, 2010, 7 pm
AUTHORS AT THE GALLERY: Sharon Lerner
Book Event and Author Q&A
Free admission. Refreshments provided.

Kris Waldherr Art and Words studio-gallery
1501 Newkirk Avenue (entrance on Marlborough Road)
Brooklyn, NY 11226
347-406-5811
subway to Newkirk Avenue: Q 0r B train
street parking is available.

If you don’t live in NYC, we’ll be livestreaming this event starting at 7:15 pm EST at this link. We’ll be able to take your comments and questions for Sharon on this important and sometimes polarizing subject.

As a mother of a small child who struggles to balance everything myself, I’m excited that my gallery will be providing a forum for Sharon’s book.

• Filed under events, friends and colleagues, studio and gallery | No Comments