Creativity Friday: Springing into a new book proposal

After finally satisfying my book video obsession — for the moment, anyhow — I’ve moved onto working on my new book proposal. Though this new book has been long-aborning, I’m only now trying to tie up all the loose ends on it so my literary agent can share it. In other words, I’m trying to move inspiration from out of my brain onto the page!

I’m not ready to release too much information about the new book yet. It feels far too early for that, though I will admit that it bears a thematic relationship to Doomed Queens. It’s also fueled by my experiences as a mother of a little girl who is very shaped by the cultural markers surrounding her.

Here’s a rather cryptic hint on what the new book is about:

At this stage of the process, I have the book outlined and finished some preliminary research. In other words, I know how the book is going to be structured, what the contents will be, which is what’s most important. After all, you can’t have a book without subject matter.

Now I’ve moved onto the design and art for the proposal. As I work, I’ve been musing a lot about typefaces — specifically how they communicate intention for a book. I love to browse through Font Book on my Mac, compiling lists of what might work. I also love to research the history of a typeface, to see what subliminal connections there might be. In some ways, as I try on these typefaces for size, I feel a bit like Thea whenever she plays in her costumes. It’s all a giant game of dress up.

For my new book, I especially love the Golden fonts created by William Morris for his Kelmscott Press books.

However, they feel a bit too costume-y. Instead, I’m learning toward Arno, a relatively new typeface that bears some of the same inspiration as Morris’s fonts, but easier on the eye.

I’m sure this isn’t the end of my book design experimentation. But as I play with fonts and colors and such, ultimately it’s bringing me closer to an understanding of what my book is really about. And that is really what will bring my book into the pink of things.


comments

Bonnie Cehovet wrote on March 20, 2009 at 1:05 pm:

Kris -

I personally adore pink! I like the different typefaces also – lookikng forward to this new adventure of yours!

Indigene wrote on March 22, 2009 at 9:46 am:

This may sound like a dumb questions, but how do you play around with the fonts? Do you just type a few sentences in the font or do you actually print them out and hand draw them? I like doing both, so I was just curious as to how you do this.

I’ve had a love-hate relationship with pink over the years. My 14 year-old daughter went through stages where she’d only wear pink (age 3-5) and then (10-13 yrs)hating it and now I think is she’s coming to terms with it…lol! How does one color cause so much conversation and feelings? Is it because it’s been assign the color of women? Are we (women) embracing it again, because it is associated with the fight against breast cancer? Men also have issues with it, too! Hmmm…got on a tangent there…:)

Natalie wrote on March 22, 2009 at 4:50 pm:

Yay for Funny Face!! LOVE that movie! I’ve added Love in the Afternoon to my Netflix based on your recommendation. Thanks!

Love the fonts and can’t wait to see what you have in the works based on the hint. Should be amazing and fun and beautiful!

Kris Waldherr wrote on March 23, 2009 at 8:15 am:

Indigene, that’s a great question: How does one play around with fonts? That would make a great topic for my next Creativity Friday post.

Re pink and the heated emotions it stirs: The new book goes into this quite a bit, especially as it relates to our society’s preconceptions of what constitutes femininity. And yeah, my four year old is obsessed with pink too. It seems hard-wired. Though, to be fair, I’m always amazed by the lack of color choices when buying baby clothes. I remember referring to Thea’s layette as “the pepto bismol parade.”

Natalie, you’re going to love Love in the Afternoon. My favorite are the serenading gypsies in the steam room. ‘Nuf said.

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