An A-Musing Journey

Forgive me the punning headline – I simple couldn’t resist. But this is the only way to describe my recent trip to Montreal to view the John Williams Waterhouse exhibit at Museum of Fine Arts in Montreal. As readers of my last blog entry know, I’ve been in need of serious muse time for my new books-under-way. So I took what Artist’s Way author Julia Cameron would call “an artist’s date”.

This was the first major exhibition of this late Pre-Raphaelite artist, as well as its only North American presentation. And a plot point in my new novel is oriented around the Lady of Shalott. And Montreal is one of my favorite cities. How could I resist?

So I took a weekend alone — my first away from my daughter since her birth — to travel up to Montreal in the dead of winter. Though I considered inviting a friend along, I decided that inspiration might strike more cleanly if I was traveling solo. To facilitate it, I even brought my laptop with me, so I could write during the eleven-plus hour train trip from New York. And I did.

I had forgotten that Waterhouse had created three versions of the Lady of Shalott. I was greeted by one of them as I walked past the museum gift shop.

And there was this behemoth draped over the entryway. Plus lots of displays inside. Alas, no photography allowed within the exhibit itself.

Inside the museum, all three versions were shown together for the first time, set within the centerpiece room of the exhibit. Nearby, Waterhouse’s personal copy of Tennyson’s poems was displayed. He’d drawn on every page, probably to record inspiration before it flitted away. Some of these intimate pencil sketches eventually were transformed into the magnificent paintings on view.

I was fortunately in time for the guided tour, which offered much that I did not know about Waterhouse. For example, he was the son of painters; his wife was also a flower painter. Alas, none of his journals or letters survived his death — the tour guide conjectured that his wife destroyed them — so not much is known about him.

Here’s more information, courtesy of the Montreal Museum of Fine Arts:

In his search to rediscover the beauty of the medieval world, Waterhouse also found inspiration in classical literature and mythology. Often associated with the Pre-Raphaelites, who aimed to recapture the beauty and simplicity of the medieval world, Waterhouse was also a classical painter. The exhibition will show how Waterhouse’s paintings reflect his engagement with contemporary themes like medievalism, classical heritage, spiritualism and the femme fatale. Born the year the Pre-Raphaelites first exhibited at the Royal Academy, he inherited their taste for Alfred Tennyson, John Keats and William Shakespeare and was fascinated by beauty, the underworld and myths of enchantresses. His paintings reveal a romantic fascination for female passions: among his subjects are the Lady of Shalott, Cleopatra, Circe, Lamia, the Sirens tormenting Ulysses, and Mariamne condemned to death. Inspired by Romantic literature, he also drew from classical myth as interpreted by Homer and Ovid.”

With little else to go on, we’re forced to learn about Waterhouse through his art, rather than through his biography. (In a way, isn’t that the way it should be?) Once the tour was over, I spent several hours in the exhibit, going through it in detail. The overall impression I was left with was of a man who was passionate about mythology, beauty, and women. He was also fond of scattering numerous mystical symbols in his paintings. For example, he often used circles within overlapping circles; objects often number seven (as in seven crows or seven sirens). From this evidence, some believe that Waterhouse may have been involved with the popular spiritualist movement, one reason his wife may have destroyed his letters.

Alas, the exhibit closes this weekend. All the Ladies of Shalotts will depart back to their respective homes, probably never to meet again in one room — at least in my lifetime.

I feel incredibly fortunate to have had my encounter with them.

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On a somewhat unrelated note, it’s now February — and Valentine’s Day is just around the corner! With the help of my friend and publicity assistant Diane Saarinen, I’ve put together an amazing week of what I think is our most romantic content yet. Just call it the most romantic week on the blogosphere!

From February 8th through 12th, I’ll be joined on this blog by the beloved best-selling author Sandra Gulland (Mistress of the Sun), urban shaman Donna Henes (Queen of My Self), tarotist extraordinaire Ruth Ann Amberstone (The Secret Language of  Tarot), and acclaimed historian Holly Tucker (Wonders and Marvels, Blood Work) for a week of love-themed posts and special giveaways. The daily giveaways will include autographed romance-inspiring books, Amor art prints, and free downloads of the Love Tarot app. To be entered to win, all you have to do is comment. Easy-peasy.

Also on tap: A Valentine’s edition of our popular Tarot Salon. This takes place on February 12 starting at 7:30 pm at my studio-gallery; this month I’ll be joined by Donna Henes, Golda Poretsky, and Fran Dunston. For more information and to view other events and workshops, click here for our events page.

So I hope to see you here — and/or there!

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