Magick for Terri is a fundraising auction to help much loved editor, artist and writer Terri Windling. She’s helped so many in the publishing community (including myself); now she need our help because of various health and legal issues.

If you don’t know who Terri Windling is, you’ve probably come across many of her creative works and just didn’t realize her involvement. Terri is the creator of groundbreaking fantasy and mythic art and literature over the past several decades, ranging from the influential urban fantasy series Bordertown to the online Journal of Mythic Arts. With co-editor Ellen Datlow, she changed the face of contemporary short fiction with The Year’s Best Fantasy and Horror and other award-winning anthologies, including Silver Birch, Blood Moon, and The Green Man: Tales from the Mythic Forest. Her remarkable Endicott Studio blog continues to bring music, poetry, art and inspiration to people all over the world.

As for myself, Terri was a huge help to me when I was a new illustrator fresh out of art school. She introduced me to my first literary agent and authors, encouraged me at a time when I really and truly needed it. I’ve never forgotten her kindness to me. She was there at a time when I truly needed someone to be.

On a “I must shop for the holidays season” front, there are some amazing offerings: an Alan Lee drawing, writing critiques from authors such as Theodora Goss and Delia Sherman, Neil Gaiman autographed items, prints, books, jewelry, and so much more. So Magick for Terri is a great way to get something special for your someone special and do good too.

I’ve become involved myself: I’ve donated an autographed Gwenhywfar giclée print (above) to help Terri out. But there’s only one day left to bid on it—the auction ends tomorrow, December 15th, for all items. So if you’re interested, go forth and bid. If bidding goes over $90, I’ll throw in other goodies to go with it.

I’m so excited that my amazingly talented and cool cousin Vicky Alvear Shecter is my guest for today’s Creativity Friday. Vicky is not only the author of two nonfiction books, ALEXANDER ROCKS THE WORLD and CLEOPATRA RULES, but also a novelist. Her first novel CLEOPATRA’S MOON (Arthur A. Levine Books) has recently been published to rapturous reviews from The Wall Street Journal, EW.com, Publisher’s Weekly and many other venues. From the L.A. Times review:

Eyes ringed with kohl, her lithe body draped in a tunic, Cleopatra VII has been memorialized ad nauseam in numerous art forms, from paintings and opera to film and a seemingly endless string of books. The reason is simple: The last queen of Egypt was an exotic blend of power and beauty whose brief life came to a tragic end when she committed suicide with the help of an asp. Now her only daughter, Cleopatra Selene, is getting the historical fiction treatment in a beautiful new novel for young adults….”

Whenever Vicky and I get together for family gatherings (alas, she lives in Atlanta; I live in Brooklyn, so it’s not often enough) I love talking about writing and publishing with her. She’s smart, funny, and wise as well as totally inspiring. Last time she was in New York, our conversation swerved from Dante and Beatrice to literary agents to gothic doubling in JANE EYRE. Oh, and we also kvelled about our daughters—but that’s to be expected, right?

With National Novel Writing Month beginning November 1st, I asked Vicky if she had any advice to share. In her post, she suggests how to reframe NaNoWriMo so it’ll work for your writing goals. But wait, there’s more: we also have a giveaway of CLEOPATRA’S MOON to one lucky blog commenter. Information on how to enter below!

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With NanoWriMo just around the corner, I must confess: I couldn’t do it. I tried, I really did. Several times. I’m amazed at writers like Kris who can do this, and do it well. [Note from Kris: "Do it well"—well, that's a matter of opinion. ] I’m especially eager to read The Lily Maid which I know she jump-started with NanoWriMo.

It took me a while, though, to learn to reframe my inability to “do” NanoWriMo and see it, not as a failure, but as an acceptance of my individual process. It forced me to pay attention to how I worked, which was very valuable. What I discovered was that scenes “unfold” in my mind—almost like mini-movies—which I then write down, editing as I go.

No amount of forcing or staring at a blank screen can “make” these cinematic scenes appear. They do not come to me on demand. Instead, they often percolate up while I’m walking. So when I’m moving, I’m usually “writing” and when I’m writing, it’s thanks to the walking. (Sometimes driving too, but I probably shouldn’t admit that.)

Learning about and accepting my process gave me the freedom to really sink into the sensory experiences of my scenes, which I found very important in writing historical fiction. Beyond “seeing” the scene, I wanted to feel it, hear it, smell it and taste it.

So, for example, when I had my protagonist, a young Cleopatra Selene, meet with the Priestess of Isis, I wanted to capture the entire experience sensorially—hearing the droning chants of priests and jingling of sacred sistrums; tasting the tangy-yeasty bite of ritual Egyptian beer; smelling the metallic-sweet scent of blood from a sacrifice; seeing the Priestess painting a magical symbol in the sand with a blood-smeared brush and so on.

I love historical fiction for its ability to take me to another place and time, so I wanted to evoke that sense for my readers as well.

So if you are preparing for NanoWriMo, good luck. But if you discover that it doesn’t work for you, don’t despair. Turn it into an opportunity to examine what DOES work for you and then…well, do THAT!

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Vicky is generously giving away one copy of CLEOPATRA’S MOON. To enter, leave a comment here by midnight EST October 28; for a second entry, tweet or FB this link. Winner will be chosen by random and announced on this blog on Saturday October 29th. Sorry, US and Canada mailing addresses only.

More about the book: CLEOPATRA’S MOON is about the only surviving child of Cleopatra VII and Mark Antony. Based on real events and individuals in history, it tells the story of a young woman determined to carve her own future after the tragic loss of everything she’s ever known and everyone she’s ever loved.

First off, congratulations to Sally! You’ve won a copy of Joanna Powell Colbert’s luminous Gaian Tarot. Sally wrote:

What a beautiful deck. It’s great to read about the creative process behind it.”

I heartily agree. I loved the Gaian Tarot’s compassionate and expansive view of humanity—how embracing it is of all cultures and experiences. The art is truly lovely too. I especially thought the accompanying guide book was wonderfully written and very well organized. I’m finding Joanna’s tarot philosophy to be similar to mine, especially in regards to viewing the numbered minors as organic developments of a suit’s energy.

Sally, an e-mail has been sent to you with information for claiming your prize. And many thanks to Joanna for sharing her wisdom and creativity with us on my blog! As I mentioned in my interview with Joanna last week, the Gaian Tarot is now available as a trade publication from Llewellyn Worldwide as well as in a limited edition format. To learn more and try an online reading, visit the Gaian Tarot website.

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In other news, I was fortunate to attend the 11th annual National Book Festival last week. The National Book Festival is organized and hosted by the Library of Congress in Washington D.C. With over one hundred stellar authors participating, it’s a veritable harvest of publishing goodness. I was fortunate not only to attend the very glamorous opening reception (which was held in the stunning Great Hall of the Thomas Jefferson building), but to also hear some of my favorite authors speak about their books: Dave Eggers, Toni Morrison, Sarah Vowell, Gregory Maguire, and others.

Recent Pulitzer Prize winner Jennifer Egan (A VISIT FROM THE GOON SQUAD) was especially inspiring on the subject of writing fiction, a subject very dear to my heart—her words really resonated with me. Here’s a few of the many things she shared during her nearly hour-long talk. Bear in mind these are a bit paraphrased from my hastily scribbled notes:

On her reasons for writing: “Everyone advises you should ‘write what you know.’ Why do that? I write to escape to another dimension.”

On plotting a novel: “My subconscious is way smarter than I am. Writing is how I access the unconscious part of myself. I trust it to reveal the story.”

On writing A VISIT FROM THE GOON SQUAD: “To tell this story, I had to use different narrative structures. I’ll do whatever it takes to tell a story.”

On a related note, here are the three rules she ultimately decided upon to structure GOON SQUAD:

1. Each chapter had to be about a separate character.

2. Each chapter had to have a different setting.

3. Each chapter had to stand alone as a story.

On the wisdom of story: “The story itself leads you to the place you need to go.”

On fiction: “The job of fiction is to raise questions.”

After hearing Ms. Egan speak, I was inspired to deviate from my LILY MAID-related “all-Victorian-all-the-time” reading list to read A VISIT FROM THE GOON SQUAD. It’s really wonderful—a true tour de force of narrative structure and extremely memorable characters. It swerves dazzlingly in time from the San Francisco punk rock scene of the early 1980s into the present; and finally into a future New York City strangled by social media and global warming. While some have derided the chapter composed in PowerPoint as a gimmick, I thought it worked well.

I know there has been discussion whether GOON SQUAD is a novel or a clever collection of interlocked short stories. To my mind, it’s both. While each story stands on its own (as Egan intended), there’s a sense of elegiac loss permeating the book that ties everything together novelistically. Ultimately, GOOD SQUAD is a bittersweet Proustian meditation on the ravages of time. Highly recommended.

1. Saturday, September 17, 2-4 pm: FENG SHUI YOUR LIFE WORKSHOP
With author Tisha Morris

Last chance to register at discounted rate! Bring balance to your mind, body, and home! Please join us for a special hands-on workshop with Tisha Morris, author of the new book FENG SHUI YOUR LIFE. She’ll be visiting the gallery all the way from Nashville to teach us how to put the “om” back into home with simple and practical feng shui techniques:

-Discover feng shui techniques that can quickly transform the energy in your home without spending a dime.
-Identify how areas in your home correlate with areas in your life.
-Discover energy portals in your home that you can use to bring about change in your life.
-Leave with a specific Action List to transform at least one room or area of your home.

Autographed books will be available for purchase. Please bring a notebook and writing materials. Registration required.

early registration discount:
$25 before September 9; $30 afterward

2. Saturday, September 17, 1-6 pm: MADE IN BROOKLYN ART RETROSPECTIVE – ARTIST RECEPTION
With artist Zane Treimanis

My friend and neighbor Zane Treimanis‘ art is created primarily with wood, assembling pieces that have been chopped, sawn, nailed and glued. After acquiring a band saw and other tools, Zane began to cut her own shapes and started to develop a personal vocabulary of abstract contours suggested by the human form, as well as forms in nature. “Made in Brooklyn” weaves together several decades of Treimanis’ work. Her most recent work explores the “bare bones” of wood, taking advantage of its natural color and texture.

This exhibit takes place at the BWAC Gallery located at 499 Van Brunt Street, Brooklyn, NY 11231. The artist will be at the exhibit every weekend 1-6 PM to greet you and offer a personal tour. Can’t make the opening reception? The exhibit is up September 17 through October 16, 2011. Gallery is open weekends 1-6 PM.

For more information, visit Zane’s website at ZaneTreimanis.com.

3. Saturday, September 17, 6-9 pm: FLATBUSH ARTIST STUDIO TOUR AT WHISK
Opening reception and grand opening

The Flatbush Artists Studio Tour, or FAST, will have an opening reception for a collective exhibit at the Whisk Bakery Cafe located at 1119 Newkirk Avenue on the corner of Westminster Road.  The FAST exhibit will be on view through October 11. This reception will coincide with the Whisk Bakery Cafe’s Grand Opening scheduled for that weekend.  FAST is a group of local artists interested in showcasing the work of Visual Artists living and working in the Victorian Flatbush neighborhood of Brooklyn. It should be a fun time!

]]> http://kriswaldherr.com/blog/2011/09/live-in-nyc-what-are-you-doing-september-17th/feed/ 0 http://kriswaldherr.com/blog/2011/08/publishing-monday-congrats-all-around/ http://kriswaldherr.com/blog/2011/08/publishing-monday-congrats-all-around/#comments Mon, 22 Aug 2011 17:20:41 +0000 kriswaldherr http://kriswaldherr.com/blog/?p=1719 A quick round up of recent publications by three of my favorite colleagues:

1. My cousin Vicky Alvear Shecter’s book CLEOPATRA’S MOON was just published by Arthur Levine Books. CLEOPATRA’S MOON is a young adult historical fiction novel about the only surviving child of Cleopatra VII and Mark Antony. Based on real events and individuals in history, it tells the story of a young woman determined to carve her own future after the tragic loss of everything she’s ever known and everyone she’s ever loved. It’s garnering some much-deserved rave reviews:

“This novel has romance, drama, heartbreak, and adventure…Shecter writes about the world of ancient Egypt and Rome with wonderful detail, making it come alive…A fantastic read with some valuable history.” — School Library Journal

“Fascinating historical novel…Cleopatra Selene proves a stalwart heroine, and the novel’s atmospheric setting and romantic intrigue are highly memorable.”—
Publishers Weekly

“The historical context and characters are well drawn…makes for intriguing storytelling…a romantic and exciting story.” —
Kirkus

2. The trade edition of Joanna Powell Colbert’s long-awaited Gaian Tarot is finally available from Llewellyn Worldwide. Joanna created the Gaian Tarot to speak directly to the hearts of those who practice an earth-centered spirituality. Though the deck has been available as a collector’s limited edition, I’m pleased that the Gaian will now be available to the world at large. I know how many years Joanna has worked on this project—a real labor of love.

3. Finally, Susanne Dunlap, author of IN THE SHADOW OF THE LAMP, THE MUSICIAN’S DAUGHTER and other wonderful historical fiction novels, has branched into iPhone development with several colleagues. Their WordWit app from Ballpoint, Inc. pairs misused words with their evil twins, explains them clearly, and provides entertaining examples from literature and the media. It’s also beautifully designed. A delicious mixture of reference app and game app, WordWit will get people interacting with words in a whole new way. I was fortunate to try the app in beta format—fun and totally addictive. Download WordWit from the App Store.

Congratulations to everyone! But wait, there’s more: In September, I’ll be interviewing Vicky and Joanna about their newest publications. I’m really looking forward to learning more about their creative processes. Plus there will be giveaways of CLEOPATRA’S MOON and the GAIAN TAROT courtesy of Scholastic Books and Llewellyn Worldwide.

SAW will be a informal, intensive school dedicated to cartooning and sequential art. Tom Hart has ten years teaching experience at New York City’s School of Visual Arts and has been nominated for the Eisner, Harvey and Ignatz Awards. Leela Corman has illustrated for dozens of clients and illustrated a dozen books. Her graphic novel Unterzakhn will be coming out from Pantheon in Spring 2012.

To help SAW surmount the initial big hurdle of securing a space for their school and other legalities, they’ve announced a fundraiser with some amazing thank you gifts starting at five dollars—a great way to get that warm and fuzzy feeling of supporting arts education while scoring something cool. All donations are tax-deductible.

For more about the school in depth, visit SAW’s official website at SequentialArtistsWorkshop.org. Prefer social media? SAW is also on Facebook and Twitter.

Here are the details:

Friday, May 6th, 7 to 9:30pm
Creative Women’s Networking Salon

Are you an artist, writer, creative entrepreneur or practioner? Come out and meet other like-minded women for conversation, inspiration, and wine. At previous salons, we were joined by photographers, crafters, editors, designers, artists, writers, and illustrators. Suggested donation: $5 for refreshments.

This event takes place at:
Kris Waldherr Art and Words studio-gallery
1501 Newkirk Avenue
entrance on Marlborough Road across from Rite Aid
Brooklyn, NY 11226
347-406-5811

More info: http://www.artandwords.com/events.html

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In other news, I’m hunkered down rewriting and revising my novel opening in preparation for the Backspace Writer’s Conference. I’m excited that I’ve already received my workshop group assignment — historical and commercial fiction — and am really looking forward to meeting the other authors. So far, my novel bible is really helping me clarify my characters’ motivations and relationship. That written, this new level of information is bringing up new questions as I write. It’s good in a somewhat nerve wracking way as I’m being forced to go deeper and truer.

I’ve also started running in Prospect Park with my friend illustrator Amy Saidens. And I’ve already injured myself. I feel like such a rube since I committed a classic newbie mistake: I didn’t get my running shoes checked out even though they were bothering me. Frankly, I didn’t want to spare the time or the money to shop for a new pair. Plus I figured my shoes were good enough for a beginning runner. So bad running shoes = lack of support in ankle =  intense knee pain.

I spent most of yesterday with my knee packed in ice and feeling deeply humbled. The good news is that my knee is already healing. And I’ve learned an important lesson: Don’t skint on time or money. This is a lesson I already know when it comes to my creative work, so I should have known better.

Last year, I interviewed acclaimed novelist Stephanie Cowell about her book CLAUDE AND CAMILLE, which relates the little known story of Claude Monet’s first wife, Camille Doncieux. Good news: CLAUDE AND CAMILLE is now available in paperback with a gorgeous new cover—and we’re giving away five copies of it. (Rules and more below.)

Besides CLAUDE AND CAMILLE, Stephanie’s other best-selling novels include MARRYING MOZART and THE PLAYERS. She is currently writing a novel about Elizabeth Barrett Browning. Here’s an excerpt from last year’s wonderfully inspiring interview:

KW: CLAUDE & CAMILLE is quite the delectable tearjerker — Camille is such a quicksilver, tragic muse of a character! What was the hardest part about writing about her? What did you find most compelling? Most difficult?

SC: Camille was the most difficult character in the book and the last to develop into a full, complex character. In an early version she was just a sweet young thing from a poverty background, but when I learned her background was upper-class it made a difference. When I was in my early 20’s I knew a few girls, one who kept lying because she wanted to appear fascinating and then didn’t know truth from fiction and a few (me too) who threw away good homes to live in poverty and wash diapers by hand, feeling we were among the genuine people. My editor kept coaxing Camille from me during the editorial stage and she just grew into something we both didn’t expect. Her terror of growing older, her secret letters to an unknown man…that sort of all came to flower (so to speak) towards the end of the writing process.

KW: One of the things I loved about CLAUDE & CAMILLE is the visceral sense of nineteenth century Paris you’ve evoked — the artists’ gatherings with their rough red wine, the scrounging for oil paint, the renting of model’s clothing, and so on. It’s all very La Bohéme. Can you describe your research process? How long did it take? Do you research before you begin to write?

SC: Research takes place before, during and then after in a way. You keep adding things. I love to find bits of daily life and stick them in. I guess I was researching the whole time. Various biographers had different opinions of the characters, and of Camille herself there was very little known at all. I worked with old photographs and paintings and many books. I walked the streets of Paris where Claude had walked and I went to Giverny….

You can read the rest of the interview here.

As I mentioned above, the good people at Crown Books has generously given us five copies of the paperback edition of CLAUDE & CAMILLE to give away. (Not one. Not two. But five!) To win one, simply leave a comment by midnight, April 14, 2011. It’s that simple. However, if you want to spice it up with a recommendation for a novel you recently read and enjoyed, I’ll give you a second entry. I’m always interested to hear what others are reading!

The small print: Only one comment per person. Book can only be shipped to U.S. or Canadian mailing address. Winner will be chosen at random and announced here April 15th. Good luck to all!

In the midst of this, mucho activity is going on at the gallery. The big news is that our current exhibit, On the Road of Bones: Ghosts of the Siberian Gulag Along the Old Kolyma Highway is closing tomorrow. I hope you’ll join us for a last look at this stunning exhibit! The curator will be on hand to answer any questions you may have about the coldest place on earth. We’ll also have refreshments. Here are the details:

Saturday, March 5th, 1 – 4 pm
CLOSING RECEPTION: ON THE ROAD OF BONES
Children welcome. Free admission.

About this exhibit: Through photography and mixed media, this exhibition reveals the secret history and natural beauty of Kolyma, formerly the land of Soviet labor camps and the coldest inhabited region in the world. Stunning new works by young native Siberian photographers Bolot Bochkarev, Nastya Borisova, and Ajar Varlamov trace the remains of the vast highway built across the taiga, tundra, and permafrost of North Asia by Stalin’s prisoners. “On the Road of Bones” juxtaposes the events of the hidden past with the power of the frozen landscape and the contemporary lives of people in the far north. Learn more at OntheRoadofBones.com.

This event takes place at:
Kris Waldherr Art and Words studio-gallery
1501 Newkirk Avenue (entrance on Marlborough Road, across from Rite Aid)
http://www.artandwords.com/events.html
directions

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Our next exhibit opens the following Saturday! Here’s the poster for it:

More information to come very very soon—as soon as I get this long-aborning proposal off my desk!

Friday, February 25, 7 – 9:30 pm
CREATIVE WOMEN’S NETWORKING SALON

Are you an artist, writer, or creative entrepreneur and practioner? Come out and meet other like-minded women for conversation, inspiration, and wine! At our previous gatherings, we were joined by photographers, crafters, editors, designers, artists, writers, and illustrators. We also had a lot of fun. $5 suggested donation for refreshments. Directions and address.

Hope to see you there!

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In other creativity-related news, Thea’s been home from school this past week. We’ve had some delightful adventures including a road trip to the fabulous Eric Carle Museum. Their bookstore there is one of the best I’ve ever been to — I definitely broke the bank buying books for myself and Thea. But now I’m very backlogged with work, alas, and am dealing with the perpetual struggle to balance everything. Here’s what’s going on here:

~ Preparing for the new children’s book illustration show. I have five wonderful illustrators lined up, but think I need one more. The show opens in mid-March, so time is getting tight!

~ Finishing up the long-aborning book proposal for the DOOMED QUEENS follow up, which is about (drum roll) princesses. It’s probably the most design-intense job I’ve done since my iPhone apps.

~ Revising the next part of THE LILY MAID for a novel-writing workshop I’m taking in April at the Sackett Street Writers. It’s the first writers’ workshop I’ve taken since (gulp) college. I’m excited but anxious.

~ Research, research, and more research for both THE LILY MAID and the princess proposal! I have a tall pile of books that I’m wading through — great stuff! They range from books on the history of fairy tales to Victorian sexual obsessions and nineteenth century medical history and Wilhelm Wundt and early anthropology and science of the Enlightenment and more. Gotta love my job!

~ On top of that, I’ve gotten in several design jobs — websites to cd design to book trailer videos. The cd design is for composer Robert Patterson, who’s written a chamber music suite inspired by my BOOK OF GODDESSES. It was debuted last summer—it’s wonderful. I feel so thrilled and honored to be involved.

~ Plus I’m in the midst of publicizing Art and Words Editions, my new e-book imprint. I’m about half-way through my “to-do” list with that — I want to get my authors’ books out there as much as possible.

~ And more, believe it or not. Thea’s sixth birthday is coming up in March, so there’s much to celebrate.

It’s all good. But it’s also a bit overwhelming. And with that, I should get to work!