The Most Romantic Week on the Blogosphere: The Most Inspiring Love Story Ever?

To finish my “Most Romantic Week on the Blogosphere” featuring the Love Tarot app, I am compelled to share with you what I consider to be possibly one of the most inspiring of love stories — the tale of Dante and Beatrice. On top of that, we’re giving away a copy of the Love Tarot app and one Amor and Beatrice print (autographed by me) to two lucky blog commentors. Details at the end of this post.

It’s not too late: You can still enter the giveaways from earlier in this week! Here’s what you can win:

Mistress of the Sun by Sandra Gulland.
The Lover’s Path by Kris Waldherr.
The Queen of My Self by Donna Henes.
Goddess Tarot deck and MP3 of The Tarot School’s teleclass for The High Priestess from Ruth Ann Amberstone.

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“Why Dante and Beatrice?” you may wonder. After all Dante never got his girl. She didn’t love him in return. Heck, the poet hardly spoke to her, if we’re to believe what he wrote. Nor did he send her any notes or any other indications of his affection. The truth was that Beatrice Portinari never knew how much Dante Aligheri adored her when she died prematurely in her twenties. Dante’s infatuation with Beatrice was one which he nurtured with subtle stares during church services, cherished greetings during accidental meetings — and transcendental poems shared with everyone but the object of his affection.

Most people know that Dante lived in thirteenth century Florence and wrote The Divine Comedy, an epic poem describing his vision of a journey through hell, purgatory, and heaven. The first part, the Inferno, is the liveliest part of the work. Once you read it, it’s hard to forget its intensely visceral imagery and the sense that the poet is settling some serious political scores. Though Beatrice appears within The Divine Comedy as his guiding angel, she was also the subject of his first book, La Vita Nuova (“The New Life”). It is in La Vita Nuova that Dante fully recounts his love for her, and of how she inspired his art.

In a lot of ways, it’s easy to just consider Dante’s love for Beatrice a courtly love contrivance for his art — but what art! Here’s an excerpt from a poem he wrote about her death:

Great anguish do my sighs give unto me,
Whene’er my thought unto my heavy mind
Doth bring her to me who hath cleft my heart.
And thinking oftentimes concerning death,
There comes to me so sweet desire therefor
That it transmutes the color in my face.
When this imagination holds me fixed,
Such pain assaileth me on every side,
That then I tremble with the woe I feel;
And such I do become
That from the people shame takes me away:
Then, alone, weeping, I lamenting call
On Beatrice, and say: “Art thou, then, dead?
And while I call her I am comforted.”

When I think of all the art, poetry, literature, and (yes!) lovers who have been inspired by Dante, it amazes me. Everyone from Dante Gabriel Rossetti (though one has to pity poor Elizabeth Siddal, whom he plucked out of obscurity to be his Victorian-era Beatrice/Kate Moss) to, well, moi. Dante’s work has been illustrated by Sandro Botticelli, William Blake, and Gustave Dore. On the music front, Rossini and Schumann set his words to music, and it inspired a symphonic poem by Liszt. As for modern poets, Dantesque imagery found its way into the works of Ezra Pound and T. S. Eliot, Gabriele D’Annunzio, and more writers than I can possibly list here.

All these influences and sources – and this is without even mentioning the films and novels and other art forms that owe Dante their due.

Why is the poet’s love story still so compelling, seven hundred years later? My theory is that Dante and Beatrice reminds us of the power of loving for love’s sake; of the beauty that pure devotion to another can inspire. And what can be more romantic than that?

So here’s the chain of events: Beatrice inspired Dante. Then Dante inspired everyone else. And that is why I consider Dante and Beatrice to be the most inspiring love story ever.

In closing, here’s my retelling of Dante’s devotion to Beatrice, adapted from The Lover’s Path Tarot; this account was based on his La Vita Nuova:

Beatrice was nine years old the first time Dante gazed upon her, he slightly older. Her presence made such an impression that he felt as though his spirit had been infused with light. From that moment, Dante adored Beatrice above all others. Through the years as they grew into adulthood, Dante sought to meet Beatrice, too overwhelmed with love to do nothing more than stare at her. He noticed that Beatrice was so full of grace that any who saw her experienced a happiness which could only be described through sighs. All this convinced Dante that Beatrice was truly an angel. Since he said nothing, Beatrice did not suspect Dante’s love; she thought him dumb with shyness. But her warm greeting never wavered no matter how awkwardly Dante acted.

When Beatrice turned fifteen, her parents arranged her marriage to a wealthy merchant. The first time Dante saw Beatrice after her wedding, she was accompanied by two of her bridesmaids as they walked along the Arno River in Florence. Overcome by the knowledge that she was now another’s wife, Dante turned his face from Beatrice to hide his tears. Beatrice’s bridesmaids misunderstood and thought the poet had insulted their mistress. They jeered at him as they led Beatrice away.

That night, Dante retreated to his chamber in anguished shame. While he slept, a vision appeared to him in his dreams as the stars reached the ninth hour of the night. From a cloud the hue of fire emerged a god-like figure. This being, who identified himself as Amor, the spirit of love, held a woman whom Dante recognized as Beatrice. Amor also held a heart, which he told  Dante was the heart the poet had irrevocably given to Beatrice.

Dante awoke from his dream resolved. His love for Beatrice would be no earthly passion to expire when they died. Instead, he would immortalize Beatrice with poems that would last forever. As their lives unfolded, Beatrice was honored by Dante’s verses as no woman had ever been. The poet’s fame spread—and with it, the story of his love for Beatrice.

Over the years, the story of Dante and Beatrice has inspired many to give their hearts just as completely.”

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TODAY’S GIVEAWAY: I have one copy of the Full version Love Tarot app and an autographed Amor and Beatrice print, which reproduces the drawing for the card shown above. To enter, simply leave a comment for this post; please indicate whether you’d like to be entered for the app or the print. Or both. For a double entry, tell us your about your most intensely romantic experience.

It may not involve another person — for example, I was enraptured during my first trip to Venice like a Victorian heroine overcome by Stendhal Syndrome. Or it might. I guess the point I’m trying to make is that romance is all around us — Valentine’s Day should be a celebration of that, rather than a marker (and marketing ploy) for happily we’re partnered off.

The small print: You have until midnight EST on February 14 to leave your comment. Winner will be chosen at random and announced on this blog Monday, February 15, 2010. Sorry, but this giveaway is limited to U.S. only.

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Top art: Dante and Beatrice from the Love Tarot app by Kris Waldherr.

More about the Love Tarot app: Considered to be the most romantic app in the App Store, the Love Tarot app offers gorgeous tarot readings inspired by famous love stories, such as Tristan and Isolde and Cupid and Psyche. This five star-rated app was recently relaunched to include a tarot journal for users to save their readings and other inspirations.

Available in Lite and Full versions, learn more here. Or download the Full version on iTunes now.

• Filed under giveaways and raffles, iPhone apps, lover's path, mythic living, tarot and oracles, the art world | 5 Responses

On life, love and loss

“I refuse to think of death. I decide that every day is going to be my best day ever. And it is.”

— Joyce Iris Miller (1930 – 2009)

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The abruptness of my last blog entry suggests that something sudden and unfortunate occurred here in Art and Words land. And it had. My mother-in-law, Joyce Miller, passed away on the evening of December 9th at the age of 79. Since then, we’ve been thrown into a land of bereavement and its aftermath, both emotional and practical.

It’s amazing how much time and energy loss takes. I’m certainly old enough to know loss in my life. But this one has really cut to the bone. Perhaps it wouldn’t be so hard if Joyce’s death had been expected. But it wasn’t — she had a sudden heart attack and died instantly. Otherwise, she was a vital force until the end, full of good humor and joy (as her name suggests). Besides a husband of 56 years, she left behind a daughter and a son — my husband — and two granddaughters.

How can I describe her without sounding like a hagiography? But all this is true — she was simply an extraordinarily generous person who saw the beauty and good wherever she went.

She gave her time and talents to numerous non-profits organizations, including the Library of Congress and the Women’s Democratic Club. She was someone who gathered friends everywhere she went and kept them. Joyce was also the best grandmother to my daughter Thea. Filled with patience and playfulness, she always had some special surprise to greet Thea with every time we visited her in Washington, DC, where she lived. She was always ready to tell a story or to give a hug.

Joyce also loved to have fun and enjoyed beautiful environments. Before her death, we had talked about taking a trip to Monticello and Newport to view the mansions of the rich and famous. She also enjoyed a good gossip and a dry vodka martini, preferably on the rocks with olives. One of my favorite Joyce quotes: “I gave up guilt. It wasn’t that hard to do.”

Joyce Miller was one of my favorite people in this world, and possibly the kindest person I’ve ever met. Last week, we laid her to rest in a grave we covered in peach-colored roses, not far from where John Philip Sousa was buried.

I miss her greatly already. But I feel blessed to have known her.

Joyce Miller with Tom in Rome, sometime in the 1970s.

• Filed under art and words, mythic living, queens, the world around me | 9 Responses

You’re invited: The Goddess Tarot app blog tour!

It’s summertime, so I’m currently on the road until mid-August. During this time, I hope to catch up with family and friends who live on the West Coast. Nonetheless, I have my semi-trusty laptop with me and will be posting periodic updates.

Along with this, I’ll be visiting blogs in August to celebrate the launch of The Goddess Tarot app. Already, I’ve gotten some press for the app — check out this article on Brokelyn.com in which I am queried about how to make an iPhone app. But for the tour, there will be much more: articles, interviews, even a podcast, along with giveaways galore!

Without further ado, here is a list of the blogs taking part in The Goddess Tarot app tour:

Monday, August 3rd — Tarot by Arwen

Tuesday, August 5th — New Age Journal

Thursday, August 6th — Only Tarot

Monday, August 10th — The Tarot Dame

Friday, August 14th — At Brigit’s Forge: A Blogue by Lunaea Weatherstone

Tuesday, August 18th — Art NYC: Marshall Sponder on the NYC Art Scene

Thursday, August 20th — Joanna Powell Colbert’s Gaian Tarot blog

Saturday, August 22nd — Owl’s Wings: The Blog of Beth Owl’s Daughter

Tuesday, August 25th — Elizabeth Genco

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BTW, if you haven’t downloaded The Goddess Tarot app yet, here are links to download the free Lite version and the paid Full version. You can find out more about the app’s features and visuals here.

Though it’s only been on the market for a week, already The Goddess Tarot app is garnering great reviews on iTunes. Here are excerpts from what people are saying about the Full version:

I’ve gotten a few tarot card apps so far and none of them can touch the Goddess Tarot for beautiful layouts and smart interactivity. It even has an animated shuffle — so clever!… Be sure to get the full version which has a variety of layouts.”

“Even if you’re not into tarot, this deck is for you. The artwork is enchanting. This is one of my most favorite decks and now it’s even better.”

“This cool app did not disappoint! As well as giving good readings — uplifting without being fluffy — there is also the opportunity to learn about the belief systems and goddesses from all over the world.”

“Kris Waldherr’s lush visuals and intuitive programming make this one of my favorite apps.”

“Beautiful images and soulful interpretations! It offers me a sense of wonder and magick — and it’s conveniently available in my iPod.”

Learn more at GoddessTarot.com.

GODDESS TAROT LITE VERSION	GODDESS TAROT FULL VERSION

• Filed under blogs we read, events, friends and colleagues, giveaways and raffles, goddesses, mythic living, publications, retail therapy, tarot and oracles | 5 Responses

Creativity Friday: Interview with Women of Wisdom founder and author Kris Steinnes ~ and book giveaway!

I’m very pleased to have Kris Steinnes as my guest for this edition of Creativity Friday. Kris has accomplished some amazing things to further the empowerment of women everywhere. She’s the founder of the Seattle-based Women of Wisdom foundation, as well as an author and editor of a new book which bears the same name. In Kris’s involvement with WOW, she has brought together women leaders from many fields to share their experiences. Their ultimate goal is to build a world in which women’s voices are heard and feminine wisdom can be lived to its fullest.

(Full disclosure: I was fortunate to be a workshop presenter at Women of Wisdom a few years ago. It was a wonderful experience!)

Women of Wonder: Empowering the Dreams and Spirit of Women reminds me in some ways of Judy Chicago’s The Dinner Party, one of my favorite works of art. Just as The Dinner Party showcases the contributions of women throughout history, Women of Wisdom showcases the art and words of the numerous inspiring women who have presented at WOW. Besides Kris, these steller contributors include Isabel Allende, Marion Woodman, Brooke Medicine-Eagle, Nicki Scully, Frances Moore Lappé, Angeles Arrien, Jean Shinoda Bolen, Barbara Marx Hubbard, Judith Orloff and Riane Eisler. Their essays and poems are interwoven with beautiful art and design.

My interview with Kris is all about her experience working on Women of Wisdom; ways women can carve out sacred space to nurture their creative spirits; and her hopes for the future of the Divine Feminine in our society.

You can purchase the WOW book at www.wisewomanpublishing.com. Heads up: some bonus gifts may still be available when you purchase from the Amazon link on their website.

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Kris Waldherr: One of the things which interests me is women’s creative processes, especially when it comes to making books and art. I read that you worked on Women of Wisdom at two writers’ retreats, one of which was in Sicily. Can you tell me about your experience? Were there specific inspirations which arose out of this situations which wove their ways into Women of Wisdom?

Kris Steinnes: I went to Sicily for a sabbatical from Women of Wisdom, and my life in Seattle! I planned to start writing the book and I did begin there. It was inspiring to just be away from everything where I could start to focus on the project. I transcribed a couple of the talks, and I also wrote some beginning pieces about how Women of Wisdom started, etc. It was a place to wind down and look out my kitchen table at the ocean, walk the beach and plan the book. I can’t say anything I wrote there is in the book – it was more what I call pre-writing. Nine months later I attended Christina Baldwin’s writing workshop on Whidbey Island, Washington. That was very inspirational to be with thirteen women writers and Christina is so good at creating sacred space and doing circle work. We met each morning and evening and did writing exercises, but the best part was having 36 hours of silence where we all worked on our writing pieces. I wrote the first chapter there which shares the experience of entering into Women of Wisdom and it just flowed from that sacred space inside of me. I have to say it turned into two-three chapters when the book was actually finished but it felt so good to complete that at the retreat. The last day we each had thirty minutes to share our writings and get feedback from everyone, which focused on the positive aspects of the writing, not a critical critique so we were all validated for our work. Amazing work was completed by everyone in those five days.

KW: A follow up: For women who perhaps don’t have access to writers’ retreats, what advice can you give on creating a sacred space to nurture their creative endeavors?

KS: After my writing retreat with Christina Baldwin life got busy again as it was Women of Wisdom conference time. So I knew I needed to create some space for me to write and get out of my house. I rented a space that was available from a friend and it was in a complex that had gardens around it, so when I took breaks I could be out in nature. I could go just for four hours a day and be away from home, phones and internet so I could really focus on the work. That’s what I knew I had to do. I know not everyone can, so I suggest you find a place in your home away from phones and anything that will disturb you. I’ve heard some advise to do it first thing in the morning before the day gets started. I’m not a morning person, but I know I don’t make it to the gym unless I do it first in my day, so I think writing can be like that. Some people it’s best late at night – it can be quiet then too. Create a place that’s for writing only and create an altar in the room. Turn off the phone if you have to, shut the door, whatever you need to do to focus. I called on the spirit of the Goddess Sophia to be with me and felt she guided me. It took discipline and it helps to have deadlines!

KW: Though your writing is featured in Women of Wisdom, you also shaped the book as editor. The book includes contributions from some major women authors, experts, and leaders, such as Riane Eisler, Isabel Allende, and Jean Shinoda Bolen. What was involved in editing such a stellar group of women?

KS: They were presenters at the Women of Wisdom conference and I chose them to be in the first book as I knew they had powerful messages for women. First we had to transcribe their talks, and then edit them to be the correct length for a chapter in a book, and to take out all the aside comments – people don’t talk as they would write. So I had to focus on what their message was and take out extraneous stories that didn’t support the message, while keeping the essence of their talk intact.

KW: Was it hard to decide what to include in the book? Was there anything you had to leave out because of space constraints that you wish you had been able to include?

KS: It wasn’t hard, but I did have to choose who would be in the first book. Some people I had been in touch with and knew they would want to participate. There were three that didn’t get in that I would have liked to have had, but they weren’t able to edit or approve their chapter in time. They will be in the second book. In the end the book got so large that the ten I have was just enough.

KW: Do you have a favorite contribution in the book? If so, which one and why?

KS: I think they’re all good. They all have a different perspective of the Divine Feminine. I love Angeles Arrien’s talk about finding meaning, magic and enchantment in our lives, and Jean Houston is always so inspiring, I love her work. Jean Shinoda Bolen’s work on the importance of circles is great, and Riane Eisler and Barbara Marx Hubbard give us important information about partnership and co-creating our world. They’re very thought provoking. And one of my favorites is Marion Woodman, who is such an inspiration and spokeswoman of the feminine.

KW: As a book designer myself, I appreciate how seamlessly your book’s text is integrated into its art and design. It’s a real outpouring of creativity and inspiration. What was involved in shaping the book’s design and art? Did you go into this with a clear vision of how the book would look? Or did it evolve gradually?

KS: I wanted it to be a full experience of the feminine and art, poetry, stories have always been an important aspect of Women of Wisdom conferences that I knew I wanted to include that in the book. All these artists, musicians and writers have been involved in the conference, whether a presenter, a participant, or a market vendor and I’m so glad they are a part of the book. It was very synchronistic how I found the book designer, as I received an email from someone from our community recommending Drai just when I knew I needed to find someone to do the book cover. I looked at her website and liked her work, so when I contacted her, I found out she actually had been to Women of Wisdom before, even though she lives in Denver. So she understands who WOW is and was able to create a book that reflects that. I chose the art and poetry to go with each writing so that it fit with the theme of that chapter.

KW: I understand that Women of Wisdom is the first of three books underway from the WOW foundation. What can we expect to see in future books? What role will you take in creating them?

KS: I hopefully will start the second book this next year. I’m getting inquiries from people who have read the book and want to submit their writings on the feminine, which is great. So I see it being more talks from WOW presenters and again art and poetry, and I’ve had experiences since writing the first book, that I’ll write some chapters as well. It will be like the first one, but probably less about the conference and more about the Divine Feminine and our experiences with Her. I’m open to people submitting art, poetry, songs and their stories of the Divine Feminine in their lives to include in the book.

KW: This book is a real labor of love, reflecting your many years of involvement as the founder of the Women of Wisdom foundation. The roots of WOW were founded in a women’s spirituality conference that took place in 1993. To say the least, both the foundation and the conference have grown considerably since then! In your book, you write that Women of Wisdom is “a path of experiences linked together through the commonality of women and spirit on a journey seeking the Divine.” What do you envision to be the future of the Women of Wisdom foundation? How does your book support and play into this vision?

KS: I have always envisioned WOW circles in other cities, and would love to consult with groups in other cities to put on a WOW conference there, perhaps license the conference to others. We receive emails from people who ask where is there a group like yours in my city. The book is supporting this, as now after the Amazon campaign women from all over the country are reading the book and are finding out about the WOW conference. We even have people in Europe who have the book now. That’s just thrilling for me to know this important work is going around the globe. I hope many of them will come in February to the conference. If anyone wants to apply to give a 3 hour workshop they are welcome to. The deadline is August 15th and they can download the application and information from our website – www.womenofwisdom.org. We can’t pay travel for these presenters, but it’s a great way to come to the conference, bring your work to Seattle and share with other women.

KW: My experience has been that our creative endeavors transform us as much as we hope they will transform others. How did working on this book transform you as a creative woman? How do you intend for your book to transform the world?

KS: I’ve been transformed and continue transforming through Women of Wisdom. I find as she grows, I grow and visa versa. I’ve learned so much about myself, the Diving Feminine, the power of a women’s community, women’s circles. I created a circle form of leadership and that’s how we run the organization, through our council circle. I’ve always been creative as I used to work in clothing design but now my creativity is moving in other new directions – being a speaker, consultant, writer, workshop leader, not just an organizer of a conference, so I’m going through a big growth phase with this book. My intention for the book is to bring the feminine consciousness to the forefront in our world so there’s a balance between male and female energies (I’m not speaking about gender here). I want to empower women to find their voices and to lead the life they’ve always dreamed of.

KW: Finally, what is the message you hope women take away from your book?

KS: My wish is for women to feel empowered to speak up and become leaders as we need more women leaders. But most importantly they’re the leaders of their own life so I hope women will take the time to rediscover what their dreams are and realize that they can still achieve them.

Also I feel the most important message is honoring and respecting our feminine gifts. I give workshops for women to find the places inside themselves where they aren’t honoring the feminine within them. We’ve been brought up in a world that doesn’t honor the feminine, and it’s up to us to change that as it begins within. So my hope is women learn to respect and honor their own feminine and know that it’s okay to express it because the world needs it now, our young women need to know the feminine is valued. When we do that we’ll begin to see it reflected in our world, and others will show the respect and honor that the feminine deserves. It’s important to explore when we silence Her and to create a safe place for Her to come forward. We need to share our gifts and our wisdom, and we are more able to do that when we feel validated and honored for our feminine gifts. When that happens we truly will find the freedom to live fully and then there will be the balance that is so needed in our world now.

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Kris has generously offered to raffle off a beautiful copy of Women of Wisdom to one blog commenter—thank you, Kris! To enter the giveaway, the rules are simple. Just leave a comment below by midnight August 2, 2009. The winner will be announced on August 3rd on this blog. Good luck to all!

In addition, here’s information about the upcoming18th Annual Women of Wisdom Conference, which takes place in Seattle Feburary 11 – 15, 2010. Special guests include Joan Borysenko and Donna Eden. Learn more or sign up for their enewsletter at www.womenofwisdom.org. If you have any questions for Kris, contact her directly at her blog or via e-mail: ks [at] wisewomanpublishing dot com.

• Filed under creativity, friends and colleagues, giveaways and raffles, interviews, mythic living | 18 Responses

defining moments – a resurrection

One of the blogs I read is Elizabeth Genco’s; Elizabeth is a writer who’s also fascinated by the mythic. She’s just written a thought-provoking post on defining moments which reminded me of a similar post I wrote approximately two years ago.

Anyway, I thought it would be fun to resurrect it from my archives, in answer to her request for others’ defining moments. Enjoy!

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I’ve been thinking lately about defining moments. (Maybe this phrase should be written with a capital “D” and “F”, to underscore their importance.) My life lately feels a bit like this right now. For the most part, things are in a welcome state of peaceful equilibrium, like the Balance card in the Goddess Tarot. I tell myself to remember this peaceful state and to cherish it. Having sold Doomed Queens, watching my daughter grow up into a beautiful little girl, feeling connected to a supportive community around me — it’s all good. I want to capture this defining moment, like a snapshot to be pulled out of my memory at will.

Though other defining moments I’ve experienced haven’t always risen out of contentment, they are equally important to me. They’ve helped me to figure out exactly I am, what my path should be. We all experience these moments, these quick-brilliant flashes of mythic living that illuminate our lives. What’s tricky is to recognize them for what they are before they fade into yet-another-detail to be cataloged.

One true story: I think I’ve mentioned in the past here that I lived for a year in England after I sold my first book. It was one of the most magical years of my life — it was the first time that I was able to devote myself entirely to art. And I was living in one of the most beautiful places I’d ever seen, surrounded by intensely creative and gifted people.

Sometimes it was hard. Even with a book contract, I still worried about making a living and whether I’d be able to sell future books. I also worried that my art would be beautiful enough to move people as I’d like it to. Would I’d ever be able to reach the artistic goals I yearned for? I pondered this intensely, wondering if I’d chosen the right path. Art can feel like an indulgent proposition, when so much of the world is in trauma.

And one day, the answer came to me when I least expected it.

Of all places, it was on the Underground, London’s equivalent to the NYC subway system. I was in London to show my portfolio around, in hopes of alleviating my ever present “can I make a living as an illustrator” anxiety. Though the Underground was crowded, I managed to score a seat — much welcome, since I was tired from walking around the city all day. I settled in, keeping my eyes low and body tucked tight, to avoid any contact with strangers.

Suddenly, I heard a woman’s voice. “You must be an artist.” Sitting next to me was a middle-aged woman, neatly dressed in business clothing. She continued, “I usually don’t do this, but look at your hands — they’re so long and graceful. You must be an artist.”

Stunned, I nodded yes.

The woman said nothing else to me during that crowded train ride. But what she said was enough.

And what about you? What defining moments do you value?

• Filed under art and words, be-mused, blogs we read, mythic living, the art world, the world around me, travels | 3 Responses