heading toward the finish line

I’m about ten days away from finishing up Doomed Queens — actually maybe even less than that, if I keep up this pace. At this stage, I’m aiming to finish up a drawing every two days. This probably sounds like an unrealistic pace, but it helps that all but one of the remaining three drawings are laid out and transferred onto paper. After I finish the drawings, I have a last go ’round on the page proofs. I also have to finalize my acknowledgments and index pages.

And then, the finish line — though I’m sure there will be some last things to attend to. Publishing is just that way.

With so many loose threads waiting to be tucked away, it’s been hard for me to blog here these days. Yet I still have an urge to track my progress. To do so, I’ve started using Twitter and have been microblogging several times a day. (Maybe you’ve already noticed the Twitter sidebar?)

Anyway, if you want to “follow” my progress as I finish up Doomed Queens, click here.

ps: The drawing above is of Blanche of Bourbon, one of the more tragic of my doomed queens. Blanche had the misfortune to be married off to the aptly named Pedro the Cruel - need I write more? The model for Blanche was the lovely Stephanie Bowen, an editorial assistant at Random House.

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art is underway

from Doomed Queens by Kris Waldherr

Right now, I’m about halfway through the art for Doomed Queens — and I’ve just over six weeks to go until my final deadline. As an amuse bouche, here is my drawing of Catherine of Aragon, which was gamely posed for by my friend Diane Saarinen. Yes, I’m designing each drawing as sort of a royal danse macabre through queenly history.

Quick trivia question: Can you name the other wives of Henry VIII surrounding her? To jog your memory, here’s that old rhyme:

Divorced, beheaded, died;
Divorced, beheaded, survived.

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the queens are semi-live

The Doomed Queens website is semi-live. By semi-live, I mean that though the whole site isn’t up yet, I’ve posted a temporary home page. Eventually the content on DoomedQueens.com will expand to include a quiz to accertain your risk of marching to the scaffold, a Youtube video (produced by Random House, natch), and a host of other darkly fun yet oddly empowering content.

For now, the home page will grant you a royal taste of what’s to come. It also features a Doomed Queens cautionary moral of the day (which are sprinkled throughout the book). My personal favorite is for Princess Diana: “Beware of men bearing Camillas and cameras.” Useful advice indeed!

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of queens and shamans

Another two weeks has gone by without a post here. Can you tell that I’ve been busy?

During this time I’ve:

~ Finished the cover for Doomed Queens and hand delivered it to Broadway Doubleday. Fortunately, they were all very pleased with it! Once I have a scan, I’ll post it. Oh, and on a related note, there’s now an Amazon.com page for it, over nine months before the pub date — sort of like being pregnant, only with a book at the end instead of a baby.

~ Got Doomed Queens edits back from my editor. Final revised manuscript is due March 1st.

~ Along with those edits, I was asked to revamp the manuscript into a 32-page blad (book laid out and design). Doubleday plans to send the blad out to various publicity outlets in advance of my October 2008 publication — a very good sign that the-powers-that-be are excited and supportive of my book.

~ On top of this, I’ve been hard at work on the art for Nicki Scully and Linda Star Wolf’s The Anubis Oracle. This 35 card oracle deck and book set will be published by Inner Traditions/Bear & Co. this winter. I’ve finished just about everything save for the cover (below), which is still under development.

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I also illustrated Nicki and Star Wolf’s Shamanic Mysteries of Egypt, which came out last year. The art for The Anubis Oracle is adapted from this book, using both digital and traditional watercolor techniques. It’s been a very intense process, since the deadline for it was hot on the heels of finishing the manuscript.

~ Am still moving stuff into the new-and-expanded Kris Waldherr Art and Words storefront. Everything is coming together nicely, though it’s a slow process! A friend will be helping me with my window signage later this month, as soon as I design my logo. I have a few ideas, but need to spend some time focusing. Which I will do as soon as I finish the queens’ edits and the oracle cover.

Toward that end, I love the idea of a somewhat arts and crafts-themed design, maybe a bit fin de siecle Vienna meets William Morris in the type treatment. But what’s giving me pause is the thought of branding: Whatever I ultimately choose to do will reflect on my business, my work as an author, and my art. So I need to plan carefully. I’m also planning a relaunch of this site sometime this spring, so I’d like to tie in my studio design with that for consistency’s sake. Anyway, lots to think of here!

And that’s the latest here. I did manage to take an afternoon off to see Persepolis, which I highly recommend. It’s wonderful — it gave me hope that we author-illustrators can make a difference in this world through our art and words, if we create powerful enough products that make it out there. I was simultaneously devastated and enthralled by it.

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the new studio!

Presenting the official new headquarters for Kris Waldherr Art and Words. (Which is, as you can tell, still very much a work in progress).
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View of the entrance. Nice big storefront window! Note half pint assistant on chair awaiting instructions (or inspiration).
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View of my work area — drawing board and tables. Still need to bring my desktop computer set up and file cabinets over.
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What will be the gallery area. Already I’m planning three exhibitions for the year, the first of which will probably go up this spring. (The recycling is not an art installation.)
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Another view.
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To get to this stage of semi-completion took a lot of work — all done while finishing up the queens book and working on a new oracle project. (No wonder I’m so tired these days!) But there’s much more to be done, stuff to be moved and so on. But all of this will be done over the next few weeks. The important thing is that I can now paint and work in the space without tripping over boxes and cans of paint.

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