Creativity Friday: FOR THE KING giveaway winner!

Drumroll please! Congratulations to DAKOTA—I’ll be sending you an e-mail shortly with information on how to claim your copy of Catherine Delors’ historical fiction book FOR THE KING.I hope you will enjoy it!

More posts coming soon! There is just so much going on here that I haven’t had a moment to spare:

1. The first draft of my novel THE LILY MAID has been turned in. I’m awaiting feedback from my agent any moment now….. (gnaws knuckles). in the meantime, I’m immersing myself in research for the next go ’round. My reading material includes biographies of two famous Pre-Raphaelite muses, Elizabeth Siddal and Jane Morris—my main character in THE LILY MAID becomes a muse to an influential artist during 1880s’ England.

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2. We’re in the midst of designing and hanging a new show at the gallery which is being curated by my husband, anthropologist Thomas Ross Miller. It’s entitled ON THE ROAD OF BONES. This haunting art exhibit will feature native Siberian and American photographers documenting Russia’s Old Kolyma Highway, built by prisoners of Stalin’s infamous gulag.

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3. I’m finalizing several e-books for the iPad. These include SACRED ANIMALS and an old picture book favorite, RAPUNZEL.

4. And so much more—and all before we leave on vacation in mid-August.

And how is your summer shaping up?


Creativity Friday: School’s out….

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… and Thea is now officially a kindergartener. The above photo was taken right after her preschool graduation celebration — look how pleased she looks! And now she is home until she begins summer camp in about two weeks. As for myself, my hours in the studio have been limited in the meantime. I’ve had to tie up a number of projects now that summer is upon me.

Here’s a quick overview of what’s what at this moment:

~ The first draft of The Novel (aka THE LILY MAID) is officially set aside for the next few weeks until my schedule frees up. The first draft is complete at 105,000 words — whew! That written, I still have a number of plot points and character arcs that require refining. I’m hoping that the time away will help me clarify my thinking as well as better judge what I have so far. Right now, I am careening between enthrallment and despair over all I’ve written. C’est normale, so I’ve been told. This is the longest manscript I’ve ever worked on — and fiction to boot! — so THE LILY MAID is brave new world territory for me.

~ I’m excited about e-books for the iPad. Toward that end, I’m moving forward on designing and producing THE BOOK OF GODDESSES e-book as well a a number of others: PERSEPHONE AND THE POMEGRANATE, SACRED ANIMALS, and more. So far, I’ve set up my publishing imprint with Apple’s iBooks, purchased my isbns, and am slowly mastering the finer points of the ePub digital format. (Apple’s iBooks only distributes ePubs, unlike Amazon’s Kindle which uses a proprietary format.) I’m finding ePub design to be a strange, slippery amalgam between website programming and book design. Much of what I’m learning as an e-book designer feels counterintuitive to me. But then again, it’s all new.

~ Related to above: I have a blog post on my experiences incubating about my discoveries and challenges designing for the ePub format so far. I hope to have that up once I have a chance to catch up in the studio, in a week or so. The short version is that my intention is to create the most beautiful, inspiring, and user-friendly e-books available despite the constraints of the medium. Here’s a peek at my e-book imprint logo, which will go within the front matter for each digital publication.

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~ I’m considering making some of my more text-heavy books available for Kindle, such as THE BOOK OF GODDESSES. It seems as though people are wedded to one format or the other, based on what e-book device they own. For example, I’m amazed at how many people downloaded DOOMED QUEENS on their Kindles. However, I’m wondering if this is worth my effort, since the Kindle only handles black and white books at this time. I’d include all the art from my books, but obviously they’d be reproduced in black and white. Opinions? Thoughts?

~ We also have a new exhibit planned for next month at the gallery. I’m very excited about it since it will be curated by my husband, anthropologist Thomas Ross Miller. ON THE ROAD OF BONES will feature native Siberian and American photographers documenting Russia’s Old Kolyma Highway, built by prisoners of Stalin’s infamous gulag.

~ Next Friday (June 25) is our monthly tarot salon. Live in the NYC area? I hope you’ll stop by for a glass of wine, some chocolate and a reading. More information here.

And how is your summer shaping up so far?


Publishing Monday: What the heck is NaPiBoWriWee?

Remember my old friend NaNoWriMo (aka National Novel Writing Month), which inspired me to launch myself full blast into The Novel? Turns out that NaNoWriMo has a younger sibling with a longer name and shorter focus.

NaPiBoWriWeek — or National Picture Book Writing Week — challenges children’s book writers to pen seven picture books in seven days. The brainchild of author Paula Yoo, this is the second anniversary of the event. It begins at midnight on Saturday May 1, 2010 and ends at 11:59 p.m. on Friday May 7th. So if  you’re tempted to participate, you’ve got a week to gear yourself up!

The semi-official rules:

Just write 7 complete and separate picture books in one week. Each picture book must have a clear beginning, middle, and end. There is no required minimum word count because picture book lengths can vary from 50 words to 2000 words, depending on the genre.

Caveat: This is NOT to say writing a picture book is easy. On the contrary, it’s EXTREMELY difficult and challenging to write a?complete story with a beginning, middle, and end, an original plotline, and a unique character with a compelling voice for the picture book genre. Every word has to count. Every image and every action has to speak volumes in terms of theme and deeper meaning… while still being kid friendly, fun, and appropriate for the tone of the book (be it a quiet literary picture book or a hilarious, laugh out of loud funny picture book).”

The complete rules are posted here on Paula’s blog.

While I won’t be participating in NaPiBoWriWee, I can vouch for the effectiveness of NaNoWriMo in pushing me off the high dive into my novel (80,000 words and counting). I’d been dreaming of writing a novel someday — but too often that day never arrives in our overstuffed over-busy lives.

The great thing about events such as NaNoWriMo and NaPiBoWriWee is that they offer us an excuse to put down our excuses and just do it. I know that a number of visitors to this blog have picture book aspirations. So, what are you waiting for?

If you do decide to participate in NaPiBoWriWee, let me know in the comments here. I hope you meet your goal! I’ll be watching and cheering you on!

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Our last Creativity Friday features an inspiring interview with Mary Sharratt, author of the acclaimed and bestselling DAUGHTERS OF THE WITCHING HILL — it’s a truly wonderful novel. Plus there’s a giveaway of one copy of the book! To enter the giveaway, all you need to do is post a comment here.


iPad on my mind

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Here is my iPad, fresh out of its minimal and exceedingly well designed packaging. It arrived Saturday on its first day of release. It’s unlike me to adopt new technology as soon as it’s available — I usually wait for the second or third generation. But in this case, I felt that the iPad was too important for me to wait. First off, as an iPhone developer, I wanted to make certain my apps were operative. Secondly, I suspect this is the first  “real” e-book reader that will be a contender on the publishing market. (Sorry, Kindle, Nook and Sony Reader!)

I must admit to being amazed at how many people have asked me about my experiences with the iPad so far. And I also must admit to enjoying the frisson of attention that came my way whenever I’ve used the iPad in public. It was a lot of fun to pull it out at my local coffeehouse and see the heads swivel in my direction.

Here are some quick thoughts on the iPad so far:

1. I like the iPad very much — it’s very well done. Some have commented on the 1.5 lb weight. At first it felt slightly heavy to me. But now it doesn’t. It feels solid and ergonomic. The size feels right too — not too big, not too small. It’s a pleasure to hold and look at. Screen is gorgeous!

2. My apps work well on the iPad. (Whew!) That written, I do intend to eventually redesign the Goddess Tarot app for the iPad, to take advantage of the larger screen size.

3. As an author, I recognize that digital books are now a permanent part of the publishing landscape. I don’t see them as replacing print books, however — just an extension. As such, the iPad is the only device (to date) that is appropriate for full color, illustrated books. I do plan to develop e-books for the iPad. First up is a digital version of THE BOOK OF GODDESSES. In time I hope to make my backlist of children’s picture books available anew.

4. Related to #3: I do have a Kindle. Alas, I never bonded with it. It just never felt comfortable to me, with that button to click to turn the page, the fugly (no other word for it) design of the device as well as the e-books themselves. There’s only one scenario in which the Kindle outshines the iPad — if you’re reading in direct sunlight, the iPad’s glossy screen is almost impossible to make out, like most laptops.

5. The big “if” to me was the quality of the iPad’s iBook app. I immediately downloaded it, nervous but excited. I must admit to feeling a bit emotional (yes, several tears were shed) the first time I opened the iBooks app. After all, I’ve been a book designer for well over two decades –  in this regard, the iPad is MAJOR. (I’m sure Guttenberg is rolling in his grave at this pronouncement.) The book which comes loaded in the iBooks app is a fully illustrated edition of WINNIE THE POOH. It’s a smart choice for showing off the strengths of the iBooks interface. Plus who doesn’t like WINNIE THE POOH? The illustrations look gorgeous. The type design is lovely, though not as stellar as I’d like to see. That written, compared to the e-books available on Kindle, the iBook e-books feel like gorgeous high end art books!

6. I’m happy to report that, based on my few hours here using the iPad, the iBooks app is deeply immersive for reading — so much better than a Kindle or a computer. The iPad’s strong point as an ebook reader is that it replicates a similar sensory experience where you can “disappear” into a book. The pages actually roll and curve as you “turn” the page.  As mentioned in #5, the book design still needs much refining, but it’s moving in the right direction.

7. For comparison’s sake, I also downloaded the Kindle app for iPad. It’s a much clunkier reading experience, though there’s many more books available via Amazon than from iBooks. But all this will change over time, especially since iBooks have wisely chosen to use the ePub digital book standard, which most digital publishers use. The Kindle format is proprietary to Amazon only.

8. The first book I downloaded was WOLF HALL, which I’ve been dying to read about Henry VIII and Anne Boleyn et al. It’s a big, thick book –  one that it would be hard to carry around to read on the subway, for example. So I’m curious how it will hold up on an e-book reader. For example, I can easily imagine reading it in bed — the backlit display means that I can read without an external light source. So say goodbye to reading with a flashlight under the covers!

9. One technical note: The only iPad downside I’ve noticed so far is that it seems less sensitive to picking up wifi signals than my iPhone or laptop. This is hopefully a first generation glitch, not something serious. I’ve read that other users have had this issue too.

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Some people have asked me if I consider the iPad a substitute for a computer. My cut-to-the-chase answer: No. That written, the iPad is so light and portable I can easily imagine using it in the place of my laptop for when I’m out and about — to check my e-mail, or to edit a manuscript. (You can edit and write on the iPad, using Apple’s proprietary Pages application, which is similar to Word.) The iPad is also great for videos; instead of dragging a portable dvd player along to entertain my child during a long plane ride, I can bring the iPad.

The short version is that the iPad is really a device for consumption, rather than creation. And sometimes that’s all you want.

In closing, Farhad Manjoo of Slate recently wrote a round up of the iPad that sums up many of my thoughts. Here’s an excerpt:

So, why would you pay at least $500 for a machine that merely replicates your other gadgets’ functions? Because the iPad is the best media-consumption device ever made. Or, to put it another way, there is no better machine to use on the couch, the bed, or in the bathroom…. The iPad’s killer app is reading. The iPad is especially great for settling in with a book or a long article. Indeed, in nearly all scenarios, the iPad makes a better book-reader than the Kindle. Yes, Apple’s tablet lacks the Kindle’s paperlike E Ink screen, but that’s a feature, not a bug. E Ink e-readers can’t display color images and animation, and they don’t do graphic design. Those elements are critical to the presentation of newspapers, textbooks, magazines, children’s books, and lots of other printed content—all of which the iPad handles beautifully.”


Publishing Monday: Links all around — and a book new video!

It probably won’t surprise any regular visitors to this blog that I’m passionate about publishing in all it’s forms. So here’s a quick round up of recent news and links that I found worthy or interesting. Enjoy!

1. First off, I must admit that I’m excited about the iPad. I’ve had so much fun programming apps for the iPhone that I look forward to seeing what I can for the iPad. I’m also pleased that my iPhone apps will run on the iPad, though I may eventually want to update them to take advantage of the larger screen.

Now that it seems that there’s a device that can showcase full-color e-books, one of my first intentions is to create a digital version of THE BOOK OF GODDESSES. I’ve ordered one and look forward to having it in my eager hands on April 3rd. I think that there’s all sorts of Brave New World possibilities for book designers here, though I must admit to a Luddite fondness for the pleasures of the printed page. In the meantime, here’s some information about creating e-books for the iPad in InDesign — much easier than creating iPhone apps for sure. And here’s an inspiring article about the book design opportunities offered by the iPad.

2. I’m still in decompression mode after the whirlwind of activity involved in Mary Sharratt’s reading and signing here last Monday. It was wonderful to have her — Mary gave a compelling presentation that everyone loved and I thoroughly enjoyed my dinner with her and her husband afterward. We had a lot of fun talking about museums, art, writing, travel, and publishing. But since it was our first time livestreaming, we (friend/gallery publicist Diane Saarinen and I) had quite the learning curve!

Fortunately, all went well, despite a few technical glitches, and next time will be much easier. Best of all, Mary’s reading can be viewed online here.

3. Live in NYC or close by? This Saturday is our Spring offering of my Publishing 101 workshop at the gallery. It’s chock-full of as much inside publishing skinny goodness I can cram into two hours. There are a still a few spaces left. More info here. Or register here.

4. Here’s a Huffington Post article from an editor/author on how social networking and blogging have transformed publishing — in some ways, for the better. (Surprise, surprise!)

Like many other authors, I have a love-not love relationship with social media, such as Twitter, Facebook and blogging. First off, you need to be consistent with one’s efforts. When I’m on a book deadline or in the midst of serious muse time, I have a difficult time multi-tasking beyond the essentials (food and sleep, anyone?). On the other hand, the connections I’ve made online are ones I treasure and make what I do worthwhile and delightful. Some have even transformed into “real world” friendships and beyond.

5. Finally on a related note, when author Catherine Delors (MISTRESS OF THE REVOLUTION) asked me to design a book video for her new novel FOR THE KING (Dutton, July 2010), I enthusiastically complied. Below is the result of our collaboration, during which we had a lot of fun and listened to a lot of Berlioz ;) . I “met” Catherine online during my DOOMED QUEENS blog tour when she graciously hosted me on her beautiful (and newly relaunched) blog, Versailles and More.