And then there were none….

Queens, that is. Yup, I’ve finished illustrating all of the queens in my book — which means that the book is done!

Two nights ago, I sent off all the files for Doomed Queens to Broadway Books. And I do mean all of the files: art, fonts, manuscript, even the endpaper design (which includes a little surprise for those inquisitive enough to look underneath the flaps).

After over a year of hard work, it’s hard for me to believe that I’m really finished. I mean, I’m sure there may be some last minute edits — there always are. But the reality is that the book can be published. All of the pieces exist.

And what’s next for me? Well, now that the book is done, it’s time for me to shift into book promotion mode, so Doomed Queens sells as well as hoped. Creating this book is only the first part of the story. Now it needs to get out into the world!

I know that my publisher has already begun their efforts. For example, they’ve just sent out book galleys to numerous luminaries, in the hopes that of gaining cover quotes. I also know that they’re planning to design a youtube video, which will be released sometime this summer. I’ve also caught wind that they may be designing a point-of-purchase display for my book — a generous investment toward Doomed Queens’ success. Amazingly enough, people have already started to preorder Doomed Queens, though the pub date isn’t until the end of October. (At least that’s how it seems, according to my Amazon.com rankings.)

On my end, I’ve started planning a book launch party and an art exhibition at my gallery. But my biggest amount of labor will go into redesigning my website to feature the queens. That’s what I’ll be diving into next at the studio — once I have a chance to catch my breath!

BTW, the Doomed Queens art above is of Empress Wang. She was modeled for by my literary agent, the elegant Theresa Park.

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heading toward the finish line

I’m about ten days away from finishing up Doomed Queens — actually maybe even less than that, if I keep up this pace. At this stage, I’m aiming to finish up a drawing every two days. This probably sounds like an unrealistic pace, but it helps that all but one of the remaining three drawings are laid out and transferred onto paper. After I finish the drawings, I have a last go ’round on the page proofs. I also have to finalize my acknowledgments and index pages.

And then, the finish line — though I’m sure there will be some last things to attend to. Publishing is just that way.

With so many loose threads waiting to be tucked away, it’s been hard for me to blog here these days. Yet I still have an urge to track my progress. To do so, I’ve started using Twitter and have been microblogging several times a day. (Maybe you’ve already noticed the Twitter sidebar?)

Anyway, if you want to “follow” my progress as I finish up Doomed Queens, click here.

ps: The drawing above is of Blanche of Bourbon, one of the more tragic of my doomed queens. Blanche had the misfortune to be married off to the aptly named Pedro the Cruel - need I write more? The model for Blanche was the lovely Stephanie Bowen, an editorial assistant at Random House.

• Filed under be-mused, new projects, publishing, queens | 4 Responses

art is underway

Right now, I’m about halfway through the art for Doomed Queens — and I’ve just over six weeks to go until my final deadline. As an amuse bouche, here is my drawing of Catherine of Aragon, which was gamely posed for by my friend Diane Saarinen. Yes, I’m designing each drawing as sort of a royal danse macabre through queenly history.

Quick trivia question: Can you name the other wives of Henry VIII surrounding her? To jog your memory, here’s that old rhyme:

Divorced, beheaded, died;
Divorced, beheaded, survived.

• Filed under be-mused, friends and colleagues, new projects, publishing, queens, the art world | 2 Responses

publishing 101: self publishing, take two

In my neck of the woods (better known as Ditmas Park, Brooklyn), Publish Yourself! offers aspiring authors a authentically DIY publishing experience. It’s also the offspring business from my favorite local coffee house, Vox Pop, where I’ve enjoyed many a playdate with other busy moms-of-toddlers.

Our local NBC news affiliate recently featured Publish Yourself! in a short piece. It’s an interesting take on  how easy it is to get a book in print, though the piece offers little regarding the realities of book distribution. As my literary agent would say, publishing is more than just printing up books.

Click here to view the Publish Yourself! video

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publishing 101: what about self publishing?

There’s an interesting article over at the New York Times Book Review which explores the phenomena of self publishing. Self publishing has grown tremendously over the past year, which is no surprise when you consider how easy and inexpensive printing has become. Here’s some hard numbers: In 2007, 400,000 books were published or distributed in the United States, up from 300,000 in 2006. This sharp rise is attributed to the popularity of print-on-demand books and reprints of out-of-print titles. Even my small Brooklyn neighborhood is getting into the act. Next door to my favorite coffee house, there’s a store devoted to self publishing. The store is named (appropriately enough) Publish Yourself. Most of the books in it are decidedly of the personal family memoir/poetry/political manifesto variety.

The Times article presents some facts that might be useful to anyone considering self publishing or, as it’s called in the industry, micropublishing. For example, the vast majority of people who self publish sell less than 200 copies of their books — a good explanation for why these small book runs are called micropublishing. It is assumed that these books find their ways into the libraries of friends and family, rather than into bookstores and other retail outlets. By comparison, the average trade industry book needs to sell anywhere from 10,000 to 25,000 copies to financially break even for the publisher and author.

From the Times:

“‘As publishing has become less expensive, the urge to write my own self has become the opportunity to publish my own self,” said Gabriel Zaid, a Mexican critic and the author of “So Many Books: Reading and Publishing in an Age of Abundance,” a meditation on literary life in an over-booked world. Today, he added, “Everyone now can afford to preach in the desert.’”

Yes, they can afford to. But should they?

Here’s my measured response: It depends.

If you just want to see your book printed under any circumstances, then micropublishing is a wonderful tool. It’s a rare example of instant gratification in the delayed gratification world of publishing, where creating a book can be insanely slow. I mean, it can take years to just place a book with a publishing house, let alone finally see your words in print and on a book shelf. Aside from the issue of time, there are some books which may not have the market available to make a commercial print run feasible. Nonetheless, they deserve to be in print.

However, if you’re looking for something more — fame, fortune, a career as an author or illustrator — then self publishing is problematic for numerous reasons. Printing a book is not the same as publishing a book. Plus once you have books printed, you still have to deal with the industry bugaboo of distributing and selling them. In other words, self publishing is definitely not a case of “if you build it, they will come.”

But that’s a subject for a whole other post on another day.

To read more about self publishing in The New York Times Book Review article, click here.

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