of galleries and queens and Sarah Palin

I’m about to send out the autumn edition of Art and Words Extra, my newsletter. If you haven’t already signed up for it, I hope you’ll do so! Plus when you subscribe, you’ll also be automatically entered into a giveaway to win one of five copies of Doomed Queens when it’s published.

I’ve been hard at work on this new issue for the past few days — and I think it’s going to be one of my best yet. Inspired by the spirit of Doomed Queens past, I’ve written a piece about five ways Sarah Palin may yet be a Doomed Queen. There’s also an exclusive-only-for-subscribers raffle to win an autographed archival print ($90 value) of a drawing from the book.

For those of you in the New York area, I’ve included an events schedule for my Brooklyn gallery, Kris Waldherr Art and Words. It includes information about the upcoming Doomed Queens book launch and art exhibition, which (appropriately enough) will be a Hallowe’en celebration. Fun!

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moving onto part deux

Right now, I’m betwixt and between things. Doomed Queens has finally gone on press as of last week (so I’ve heard). Aside from strong pre-sales (so I’ve been told), it was also picked up by Costco and the QPB Club.

I’ve just received the final cover proof. (Doomed Queens has french flaps and endpapers though it’s a paperback. Broadway is planning a beautiful production job!) This is also probably on press right now too. After more than a year of solid labor, it’s a strange feeling to not have anything more to do on the book itself.

So where does this leave me? Do I simply more onto the next publication? Well not exactly, though I do have a few backburnered projects that I can now turn back to. Publishing a book is a bit more complicated than that. After all, writing, designing and illustrating is only part one of bringing a book to life. Part two is assuring that the book actually finds its way in the world — that it sells well, wins appropriate attention, and gets well reviewed. All this is a job onto itself.

So here’s my “to-do” list for Doomed Queens, part deux:

1. Finish finetuning my kriswaldherr.com website. I’ve still lots of Doomed Queens content to roll out as publication date approaches. Publication is set for October 28th.

2. Need to finish my press kit Q&A. I’m taking this quite seriously since it’s a very important tool for the media to learn about my book. Am doing my best to be pithy, witty, and wise.

3. Prepare for the launch party. There will be two, one at a private club and one at my gallery, which will include an exhibition of the original art from Doomed Queens.

4. Confer with marketing at my publisher. We have lots of ideas for publicizing the book. Now we need to decide on how to proceed. For example, there’s been talk of a Youtube video, which I think is a fantastic idea. I’d also like to design a Facebook application.

5. And so much more. What I’ve listed here just scratches the surface and doesn’t even include all the labors of the good people at Broadway Books. For example, I know they’ve already sent out galleys for reviews. Once the book is published, there will probably be a big mouth mailing, to stir up support from halo’ed quarters.

As for myself, well, I just feel tired. I’m glad to have finished part one of my labors. I’d love to take a break, a mental margarita if you will. But I know I have many miles to go before I sleep. And now is not the time to lose my focus.

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the queens are semi-live

The Doomed Queens website is semi-live. By semi-live, I mean that though the whole site isn’t up yet, I’ve posted a temporary home page. Eventually the content on DoomedQueens.com will expand to include a quiz to accertain your risk of marching to the scaffold, a Youtube video (produced by Random House, natch), and a host of other darkly fun yet oddly empowering content.

For now, the home page will grant you a royal taste of what’s to come. It also features a Doomed Queens cautionary moral of the day (which are sprinkled throughout the book). My personal favorite is for Princess Diana: “Beware of men bearing Camillas and cameras.” Useful advice indeed!

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of queens and models

Some of you might be wondering what is going on with Doomed Queens, the book I’ve been working on for the past year. Short answer: Lots. Long answer: Aside from (1) copyediting the manuscript, (2) designing the Doomed Queens website, and (3) trying up lots of loose threads, I’ve been working on the art.

Part of that process is working with models, as you can probably tell from the above photo. Right now, I’ve had about half a dozen models come and pose over the past week. This week, another four will generously spend some time in front of my camera.

Yes, camera. I take reference photos for a number of reasons. The primary one is that I can’t bear to have people hold poses for hours as I draw — it’s too much to ask. From a practical standpoint, it’s also much easier to capture a moment from a quick photo than it is from a sustained drawing. What if I wanted to draw someone twirling? Or jumping? (That written, I might feel differently if I was a more skilled draftsperson….)

The process of working with models is somewhat alchemical — meaning that each of us bring something to the table. The end result is sometimes unpredictable, though I generally have a clear vision before we begin. I know I’ve mentioned before that my models are usually people I know, rather than hired professionals. That’s because it’s easier for me to feel a sense of connection with the character I’m illustrating if the model is someone I know. It also reflects my belief that these stories are something universal, that we carry them within ourselves in some mythic way.

For the most part, I’ve chosen my models well. Occasionally, I’ll ask someone to pose who might be more uncomfortable than expected with the process; this discomfort is passed down to me and shows in the art. Fortunately, this is a very rare occurence. Generally speaking, any discomfort has fled by the time I’ve dressed up my model. (Yes, dress — I have a variety of costumes and props that can propel someone from the twenty-first century back to ye olde medieval times and beyond.)

But the photos aren’t the end result, as inspiring as they may be. After that, I still need to work out the composition before I even begin to draw. Plus photographs need to be adjusted, their perspective corrected and so on.

Nonetheless, these model photographs are the first step in my creating an illustration - and perhaps the most important step. They offer me a place from which inspiration can flow.

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Doomed Queens in the media

Could there be something in the air? Anne Boleyn, one of my favorite Doomed Queens, appears to be everywhere these days. At the very least, she’s fond of the New York City transit system — I spotted these posters on various bus shelters and subway shelters.

First this:

Then this:

I’m uncertain if I’m fascinated or horrified by the Vanity Fairization of these long ago royals. Or maybe I’m just amused. I mean, Henry VIII (or, as they dub him in the Showtime promos, “Henry 8″) in a leather vest? He looks better prepared for wrangling with the Crips than hanging with Cardinal Woolsey.

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