I’m so pleased that internationally acclaimed tarot creator Joanna Powell Colbert is my guest for today. Joanna’s Gaian Tarot has just been published by Llewellyn Worldwide to much critical praise. It was previously published as a limited edition and has been in the works for some nine years.

I plan to post a review of the Gaian Tarot soon. In the meantime, here’s the short version: it’s a stunning and important addition to the tarot world. I adore it! And here’s more good news: one lucky blog commenter will have the chance to try the Gaian Tarot for themself: Joanna is generously offering a giveaway of the newly published Llewellyn edition of the Gaian Tarot. Info on how to enter the giveaway is at the end of this post.

———————————-

Kris Waldherr: You’ve been working on the Gaian Tarot over the past nine years—a long period of creative development and dedication! What was your experience of “living” with such a long project? Did you ever lose hope you’d ever finish? What advice would you give other artists undertaking major projects such as yours?

Joanna Powell Colbert: I loved the process so much that, even though I was glad to finish the project, I felt lost without it.  A very strange feeling!  I loved coming up with the ideas for the cards, being inspired on my daily walks, searching for messages in the natural world, finding them and incorporating them into the cards.  It was exhilarating and exciting.  I felt so connected to Spirit and to the earth.

I never really lost hope that I would complete the deck.  I knew I would, because I felt like I had an “assignment” from Spirit to finish it and see it out in the world.  I did despair at times, over how long it was taking.  And I got very, very tired of the medium of photo-realistic colored pencil painting.  In fact, I don’t know that I will ever do another piece of artwork in that particular medium again.

Advice for other artists undertaking major projects like this? Persistence! Take it one step at a time, while keeping the big picture in mind.  Set aside blocks of time in your schedule that are earmarked for working on your project, and keep that time as sacred.  I had to say “no” to a lot of events and activities I would have enjoyed, in order to stay home and make art.  And if your life runs away with you, and you get off course, just get back on course with no shame or blame.

KW: It’s been a pleasure to watch the Gaian develop over the years on your very lovely website at GaianTarot.com. Through it, I became very familiar with the Major Arcana cards. So it was a revelation to spend time with the minor arcana cards. Many of them feel so intimate in their detailed vision of nature—spawning salmon (Ace of Water), shooting stars in a night sky (Eight of Fire). They feel like snapshots into nature’s most precious workings. How did you decide on the images for the minors? Was there any difference in your approach to them than for the Majors?

JPC: For both the Majors and the Minors, I would ask myself:  Where does the voice of Nature appear in the themes of this card?  And I would go for long walks on the island, seeking inspiration.  For the Minors, though, I did a lot of preliminary work on structure.  I made a chart — a spreadsheet, really — with the four elements (Air, Fire, Water and Earth) across the top, and the numbers and people cards down the side.  I got very clear about the meanings of the numbers and the people card qualities.  I also made lists of correspondences and symbols for the elements.  Then I would fill in the boxes on the chart with ideas for images that would bring together the quality of the number with the characteristics of the element.

For example, let’s look at the 4 of Water.  To me, “four” means: boundaries, creating a container or sacred space, a foundation. Water is all about emotions, spirituality, dreams and visions.  So I was meditating on “creating a container for sacred dreams and visions” — and I was struck with the image of a well.  A well is a literal container for water!  And there is a tradition of sacred healing wells in Britain.  I had visited Chalice Well in Glastonbury, and it seemed like a no-brainer to set the 4 of Water there, because it brings in the extra added meaning of healing. In the card, we see a woman kneeling by the well, gazing into it.  I obscured her face on purpose, so that the reader or querent can decide whether she is despondent or at peace, as she gazes into the waters of the well.

KW: In your deck, you’ve corresponded the suit of Pentacles (or Coins) with the element of earth. I think your Five of Earth is one of my favorite cards in the deck, which surprises me; usually the Five of Earth is considered a dire warning of material impoverishment. In your version the journeyer is protected by nature against the elements—a more hopeful vision. Can you tell us a little more about creating this card?

JPC: Sure. I believe that every card in every deck carries a range of meanings from light to shadow. The image on each card usually emphasizes one over the other, but as readers, we know to be aware of the entire range.  I don’t like readings where the querent is left hanging with one of the more dire cards.  I want to help the querent find a way out of their current predicament.  So, my 5 of Earth does indeed depict a survival situation:  the hiker is lost in the woods during a storm.  (This could, of course, be a metaphor for illness or financial stress, among other things.)  But here’s the key: the hiker knows he has the survival skills necessary to wait out the storm and make it out of the woods.  He knows how to build a debris hut for shelter. So even though he is cold and uncomfortable, he is not likely to die during the storm.  He’ll find his way out of the woods once the storm has passed.

The idea for the debris hut came from my nature awareness studies with my friend Chris Chisholm of Wolf Camp & College.  Making a debris hut is one of the earth skills he teaches his students in his wilderness survival courses.

KW: On a related note, what is your favorite card in the Gaian Tarot? Why?

JPC: The Guardian of Water. She is the “Goddess” card in the deck for me. I have a particular affinity for the Ocean Mother, in all the ways she manifests around the world in various cultures. I love this piece because I think it perfectly captures the compassion of Tara and Kwan Yin, pouring out the waters of mercy upon a troubled world.

KW: Now for some publishing questions! The Gaian Tarot is available both as a self-published limited edition and as a traditionally published deck with Llewellyn Worldwide. These days so much of the dialogue in the publishing industry is about the benefits of self-publishing versus traditional house. Some authors prefer the financial benefits and autonomy of self-publishing; others want the stamp of approval of a publishing house. How have these two paths served you?

JPC: I’ve had the best of both worlds, and I’m very grateful for that. In terms of money, I will most likely make more money with the limited edition than I will make with the Llewellyn edition.  But I am very happy that Llewellyn was able to produce the deck in a format that is affordable for almost anyone.  So anyone who wants the deck can have one, and that gives me a lot of joy. Llewellyn of course has great distribution channels, which I could never replicate as a self-publisher.  So the benefits of being published by a house are, as you say, the stamp of approval (Capricorns love that!), and becoming more widely known. [Note from KW: Tauruses love this too!] I am hopeful that people who buy the Llewellyn deck will want to take classes or workshops with me, join my Gaian Tarot Circle online community or book tarot consultations with me.  Like I said, the best of both worlds!  Self-publishing is better for making money and having creative control over the finished product; a publishing house is better for advancing your “fame” and reputation.

KW: Do you have any preference for one mode of publishing over the other? Would you self-publish a deck again in the future?

JPC: I have been sitting with those questions for awhile.  I think I would have to look at each project individually and think about ROI (Return On Investment).  I worked for nearly a decade on the Gaian Tarot with no financial compensation. So it was quite gratifying to finally make a decent chunk of money through sales of the limited edition.  If I can produce other books or decks quickly, I would be more likely to seek a publishing house.  Of course, there’s always the “best of both worlds” scenario, too.  As long as publishers are amenable, I think I’d always like to publish a high-end version along with a mass market version.  Yes, I would self-publish a deck again, if I had plans to create another deck, which I don’t. Not at the moment, anyway!

KW: What advice would you give to anyone looking to publish a tarot deck? Or even just looking to break into publishing?

JPC: Come up with a unique vision for your deck, and stay true to it. Make sure it comes from your heart and the promptings of Spirit. Don’t worry about whether or not your idea is commercial enough for a publisher. You can always publish it yourself.  Learn how to write a killer non-fiction book proposal — take a workshop, or read (and follow) a good book on the topic. Do your market research and create a promotion plan.  Build a platform (online and offline) while you’re creating the deck so you will already have a tribe of “fans” when the deck is published.  Go to tarot conferences and writers conferences, and network with editors and agents.  (Sometimes at conferences you can book a time slot to pitch your project to an editor or agent. Even if they turn you down, you will learn a lot!)

Don’t give up.

KW: Finally, what are you working on now? Do you have future books or decks underway?

JPC: My current focus is on teaching, more than art or writing projects. I teach online courses as well as in-person workshops, on the Gaian Tarot, earth-centered spirituality and manifesting your dreams. I’m currently in the midst of planning my schedule for 2012. One project I’m very excited about is creating a Gaian Soul Retreat for women, with an emphasis on creativity, spirituality and nature.  I’m looking for a venue here in the Northwest, maybe on one of the islands. It will probably be a four day retreat in late summer or early fall of 2012.

I am tossing around the idea of an oracle deck focused on plants and animals, with no humans in it. But so far it is just an idea. I went on a writers retreat in July, and received a “divine download” for a new illustrated book. The working title is “Reading the Book of Nature.” It’s a series of illustrated meditations based on practices I’ve collected from many sources over the years on how to create a deeper relationship with the natural world. I cover some of this same material in my workshops. I’m very excited about it!

———————————-

Thanks, Joanna, for a wonderfully inspiring interview! As I mentioned above, Joanna has offered one copy of the Gaian Tarot to raffle off here. To win, simply leave a comment by midnight, October 2, 2011. The rules: Only one comment per person. Small print: Deck set can only be shipped to U.S. mailing address. Winner will be chosen at random and announced here on Monday, October 3rd.

Good luck to all!

1. My cousin Vicky Alvear Shecter’s book CLEOPATRA’S MOON was just published by Arthur Levine Books. CLEOPATRA’S MOON is a young adult historical fiction novel about the only surviving child of Cleopatra VII and Mark Antony. Based on real events and individuals in history, it tells the story of a young woman determined to carve her own future after the tragic loss of everything she’s ever known and everyone she’s ever loved. It’s garnering some much-deserved rave reviews:

“This novel has romance, drama, heartbreak, and adventure…Shecter writes about the world of ancient Egypt and Rome with wonderful detail, making it come alive…A fantastic read with some valuable history.” — School Library Journal

“Fascinating historical novel…Cleopatra Selene proves a stalwart heroine, and the novel’s atmospheric setting and romantic intrigue are highly memorable.”—
Publishers Weekly

“The historical context and characters are well drawn…makes for intriguing storytelling…a romantic and exciting story.” —
Kirkus

2. The trade edition of Joanna Powell Colbert’s long-awaited Gaian Tarot is finally available from Llewellyn Worldwide. Joanna created the Gaian Tarot to speak directly to the hearts of those who practice an earth-centered spirituality. Though the deck has been available as a collector’s limited edition, I’m pleased that the Gaian will now be available to the world at large. I know how many years Joanna has worked on this project—a real labor of love.

3. Finally, Susanne Dunlap, author of IN THE SHADOW OF THE LAMP, THE MUSICIAN’S DAUGHTER and other wonderful historical fiction novels, has branched into iPhone development with several colleagues. Their WordWit app from Ballpoint, Inc. pairs misused words with their evil twins, explains them clearly, and provides entertaining examples from literature and the media. It’s also beautifully designed. A delicious mixture of reference app and game app, WordWit will get people interacting with words in a whole new way. I was fortunate to try the app in beta format—fun and totally addictive. Download WordWit from the App Store.

Congratulations to everyone! But wait, there’s more: In September, I’ll be interviewing Vicky and Joanna about their newest publications. I’m really looking forward to learning more about their creative processes. Plus there will be giveaways of CLEOPATRA’S MOON and the GAIAN TAROT courtesy of Scholastic Books and Llewellyn Worldwide.

Last year, I interviewed acclaimed novelist Stephanie Cowell about her book CLAUDE AND CAMILLE, which relates the little known story of Claude Monet’s first wife, Camille Doncieux. Good news: CLAUDE AND CAMILLE is now available in paperback with a gorgeous new cover—and we’re giving away five copies of it. (Rules and more below.)

Besides CLAUDE AND CAMILLE, Stephanie’s other best-selling novels include MARRYING MOZART and THE PLAYERS. She is currently writing a novel about Elizabeth Barrett Browning. Here’s an excerpt from last year’s wonderfully inspiring interview:

KW: CLAUDE & CAMILLE is quite the delectable tearjerker — Camille is such a quicksilver, tragic muse of a character! What was the hardest part about writing about her? What did you find most compelling? Most difficult?

SC: Camille was the most difficult character in the book and the last to develop into a full, complex character. In an early version she was just a sweet young thing from a poverty background, but when I learned her background was upper-class it made a difference. When I was in my early 20’s I knew a few girls, one who kept lying because she wanted to appear fascinating and then didn’t know truth from fiction and a few (me too) who threw away good homes to live in poverty and wash diapers by hand, feeling we were among the genuine people. My editor kept coaxing Camille from me during the editorial stage and she just grew into something we both didn’t expect. Her terror of growing older, her secret letters to an unknown man…that sort of all came to flower (so to speak) towards the end of the writing process.

KW: One of the things I loved about CLAUDE & CAMILLE is the visceral sense of nineteenth century Paris you’ve evoked — the artists’ gatherings with their rough red wine, the scrounging for oil paint, the renting of model’s clothing, and so on. It’s all very La Bohéme. Can you describe your research process? How long did it take? Do you research before you begin to write?

SC: Research takes place before, during and then after in a way. You keep adding things. I love to find bits of daily life and stick them in. I guess I was researching the whole time. Various biographers had different opinions of the characters, and of Camille herself there was very little known at all. I worked with old photographs and paintings and many books. I walked the streets of Paris where Claude had walked and I went to Giverny….

You can read the rest of the interview here.

As I mentioned above, the good people at Crown Books has generously given us five copies of the paperback edition of CLAUDE & CAMILLE to give away. (Not one. Not two. But five!) To win one, simply leave a comment by midnight, April 14, 2011. It’s that simple. However, if you want to spice it up with a recommendation for a novel you recently read and enjoyed, I’ll give you a second entry. I’m always interested to hear what others are reading!

The small print: Only one comment per person. Book can only be shipped to U.S. or Canadian mailing address. Winner will be chosen at random and announced here April 15th. Good luck to all!

As a sensitive, artistic, and introverted teenager from a complicated home environment, Jane’s character especially spoke to my condition. I loved Bronte’s exploration of class and gender issues; in the nineteenth century, this was especially provocative stuff. On the romantic end, the scenes between Jane and Mr. Rochester are brilliantly written slow-boils of sexual tension. JANE EYRE has even inspired a few tributes in THE LILY MAID, my novel underway. For example, I couldn’t resist naming a little girl Adele, after Jane’s French charge in the novel.

I consider JE “the other Jane” to Jane Austen–her quieter, deeper, more passionate cousin. With all the retellings of PRIDE AND PREJUDICE abounding, I’ve always wondered why no author had ever attempted to update JANE EYRE (to the best of my knowledge, not including WIDE SARGASSO SEA). Anyway, you can imagine how delighted I was when tarotist Diane Wilkes mentioned to me that JANE EYRE had been rewritten as a YA novel. (Well, delighted as well as a bit trepidatious. We JANE EYRE lovers are very protective of our girl!)

JANE EYRE has been recast by author April Lindner as JANE. The good news: JANE is a really fun, well-written read which would be a great gateway drug for teenagers who have yet to read the original Bronte. I sped through it in one sitting, unable to put it down. Since I know the original Bronte so well, I think a lot of my page turning was because I wanted so badly to see how Ms. Lindner would handle each of the original’s plot points: How would she translate them for a twenty-first century teenage audience?

Short answer: I think she did a great job. To make Rochester into the burned out rock star of Nico Rathburn was a brilliant inspiration. Ditto for updating Jane Eyre as an impoverished college drop out with the nom de moderne of Jane Moore. These choices communicate so well the extreme class disjuncture between the original JE and Rochester; of how shocking and impossible their love would be viewed by most of society. I especially liked the author’s handling of the last third of the book, which brings in the subplot of the Rivers siblings. Some reviewers have commented on JANE’s sexual content, but I actually thought it worked very well within the context. After all, this is 2011, not 1847, when the original JE was published. These days, true love leads fairly quickly to tangled sheets (unless you’re Bella Swan). The original JANE EYRE is pretty hot stuff, so it makes sense. I also was thankful for how closely Lindner hewed to the Bronte’s original dialogue, which I’ve always found completely delightful. If it ain’t broke, why fix it?

My quibbles with JANE are few and far between, but for the sake of balance, I’ll include them. I do wish that the flashbacks revealing Jane Moore’s unloving, dysfunctional family were better handled and more subtly developed. They felt a bit shoehorned in and a little confusing–the proverbial info dump for the sake of providing backstory and motivation. It’s a challenge, though; the original JE had many, many pages devoted to presenting Jane’s formative years with her relatives-from-hell and subsequent life at Lowood. These reveal her character’s awareness of social hypocrisy and class consciousness, thus clarifying her later choices and actions in the novel. Perhaps this was just too complicated to pull off within the YA constraints?

My other issues probably arise from my love of the original JE. For example, Jane Eyre is this almost fey character (Rochester repeatedly refers to her as fairy-like, of another world), which contrasts so beautifully against his dark cynicism. One really understands their attraction–they’re opposites who have been cut of the same cloth. She serves almost as an angel leading him to personal and spiritual redemption. In JANE, this doesn’t feel so apparent to me; Rathburn seems attracted to Jane Moore because of her blunt honesty and integrity in a world of sycophants. One major plot point (no spoilers) required some serious suspension of disbelief, though for the most part I thought it was handled well.

Overall, JANE is a very enjoyable and well-written retelling of a novel I consider one of the feminist ur-texts. Recommended. I also hope it will encourage teens to read Bronte’s original, which I consider essential reading.

——————————-

On a related note, it seems like JANE EYRE may be finally getting the film adaptation she deserves. I’m excited by this trailer, which captures the intensely dark, gothic qualities of the book. Can’t wait to see it!

I was also surprised to find JANE EYRE referenced in this Stone Soup comic strip last week.

Also, Jane Eyre Illustrated offers a web-based overview of all of the illustrated versions of JANE EYRE through the centuries. Love it! I have many fond memories of reading the edition illustrated by Nell Booker.

With all this Janeite stuff abounding, maybe it’s just the other Jane’s time? Hmmmmm…..

I have a guest post up on Harrowing Historicals, a month-long celebration of all things spooky and history-oriented. It’s hosted by the lovely Allie (of Hist Fic Chick) and the equally lovely Nicole (Linus’s Blanket). (I was fortunate to have met both of them at Mary Sharratt’s reading  at the gallery earlier this year.) A little about Harrowing Historicals:

Each day of the month at witching hour (12 midnight, EST), Nicole and I will feature a different historical fiction (and a few fun non-fiction!) read that has a Halloween tie-in. Because let’s face it – history is fraught with some scary stuff! Join us for chats on the history of vampires, Queens who died in gruesome ways, what it’s like to consult psychic mediums for historical fiction research, and scary personages like Elizabeth Bathory and Jack the Ripper. It’s going to be an exciting month filled with all things spooky history!”

My guest post is entitled “Let Them Eat … Ectoplasm?” Yup, it’s about the ghost of Marie Antoinette. Thanks to Allie and Nicole for inviting me to participate!

On top of this Allie has also posted a great review of DOOMED QUEENS. Plus there’s a giveaway of sets of Ask the Queens advice cards and Doomed Queens playing cards; info is listed at the bottom of my Harrowing Historicals guest post.

]]> http://kriswaldherr.com/blog/2010/10/doomed-queens-harrowing-historicals-and-a-review/feed/ 0 http://kriswaldherr.com/blog/2010/09/good-news-npr-and-spoonflower/ http://kriswaldherr.com/blog/2010/09/good-news-npr-and-spoonflower/#comments Thu, 23 Sep 2010 19:26:07 +0000 kriswaldherr http://kriswaldherr.com/blog/?p=1336 Two nice surprises this morning:

1. My illustrated novel THE LOVER’S PATH was featured on NPR in their Three Books feature. Their theme du jour is “Three Books To Take You Back To The Renaissance.” I’m in exhalted company—the other two books are Sarah Dunant’s SACRED HEARTS and Robert Hellenga’s THE SIXTEEN PLEASURES. This is a bit ironic, since THE SIXTEEN PLEASURES was one of the novels my literary agent recommended I read for inspiration while I was writing THE LOVER’S PATH.*

An excerpt from Three Books:

Prepare to be transported to 16th century Venice from the first page. This novel is a feast — a full-color picture book for adults that tells a wrenching story of eternal love…. This beautiful fable reminded me of Erica Jong’s Serenissima, except without the explicit sex.”

2. My Venetian Masque design came in second place on Spoonflower’s Fabric of the Week contest. It’s now also available for purchase, just in time for all your Halloween needs. Thanks to all who voted for it!

* On a related note, I have a post simmering about reading lists and inspiration, specifically in regards to my now-onto-the-second-draft novel THE LILY MAID. Hopefully it will go live tomorrow in time for Creative Friday!

There’s a nice write up of my little studio-gallery in this week’s Time Out New York. It’s part of their “Great Walks/Own This City” issue — they’ve included my ‘hood Ditmas Park (aka Victorian Brooklyn). Here’s what they wrote:

Look for a small blue sign that points you to Kris Waldherr Art and Words (1501 Newkirk Ave at Marlborough Rd; 347-406-5811, artandwords.com). Waldherr—an author, illustrator and designer—turns her studio into an open gallery on Fridays (5–8pm) and Saturdays (1–5pm), when she also hosts tarot salons, publishing workshops and art-themed activities for kids (suggested donation $5). Passersby are welcome to stop in during open gallery hours and peruse Waldherr’s book art and photography exhibits free of charge. While the focus here is on literature and illustration, Waldherr boasts some techie cred, too: Ask her about Goddess Tarot, the application she developed for the iPhone.”

Read the rest of the article here. I’m pleased that they included many places that I frequent myself — from the Castello Plan to Vox Pop, my favorite coffeehouse. Who knows, maybe I’ll see you there one day myself.
—————————-

Speaking of tarot salons, tomorrow is the last Friday of the month*, which means it’s tarot salon time! This month,  I’ll be joined by tarot reading/Body Love Wellness founder Golda Poretsky and Fusion Spa’s Fran Dunston (the best masseuse ever). Here’s the deets:

Friday, April 30, 7 – 9:30 pm
TAROT SALON – SPRING EDITION
Free admission and refreshments.

1501 Newkirk Avenue (entrance on Marlborough Road)
Brooklyn, NY 11226 | 347-406-5811
Subway: Q or B to Newkirk Avenue; gallery is around the corner from station.
Street parking is available.

—————————

Final notice: The DAUGHTERS OF THE WITCHING HILL giveaway continues! Today is the last chance to enter since the giveaway ends at midnight. To enter, all you need to do is comment here. There’s also a wonderful interview by author Mary Sharratt about her creation of the novel.

*Not sure if we’ll be having a tarot salon in May because of the holiday weekend that month. If so, we’ll be returning on the last Friday of the month in June. Promise.

Thanks to Willa, who blogs at Beautiful iPhone Apps, for her lovely (and timely) review of the updated Goddess Tarot iPhone app:

“I have Kris Waldherr’s “Goddess Tarot” cards, so I was excited when she came out with an iPhone app. The original app was great, but one thing I would have liked to have was a journal to keep track of notes and thoughts on readings. With a recent update, a journal has been added, so the app is, in my opinion, pretty much perfect. And also beautiful!”

“Pretty much perfect” is high praise indeed.

Haven’t downloaded the app yet? You can here.

————————————–

The above illustration is of Isis, who is featured in The Goddess Tarot on the Magic (The Magician) card.

Regardless, today is the official publication date for Audrey Niffenegger’s new novel, Her Fearful Symmetry, which is cause for celebration. I’m a huge fan of The Time Traveler’s Wife as well as of Niffenegger’s illustrated novels. (Full disclosure: We shared the same editor at Abrams.) I greatly admire her ability to bridge the worlds of art and words with such artistry and integrity. So you can imagine how excited I was when I read that Scribner had acquired her new novel earlier this year in a very significant publishing deal. I was even more excited to score an advance copy of it from a Twitter friend. (Thanks, Melissa!)

I was up to 2:30 in the morning devouring Her Fearful Symmetry—it’s that enthralling a page-turner. Though it’s been about two weeks since I finished, I’m still processing my thoughts about it. It’s lingered with me, which is my mark of a good book.

First off, set aside any preconceptions or expectations you may have about Her Fearful Symmetry. It’s decidedly not The Time Traveler’s Wife, though both books share the theme of The Things People Do For Love knitted throughout, as well as a subtle mordant humor. It’s also written in third person, instead of the alternating first person narrative of TTW. For that alone, kudos to Niffenegger for not resting on her laurels to craft a TTW-romance redux.

Short version: Her Fearful Symmetry is an exquisitely written ghost story. The book’s premise is not dissimilar to one offered by a horror film: To claim an inheritance, Julia and Valentina, a set of abnormally attached identical twin sisters, must live for a year in a fabulous London apartment bequeathed to them by an aunt they’ve never met. The apartment is set next to Highgate Cemetery, the final resting place of many Victorian-era luminaries, including Karl Marx and Elizabeth Siddal Rossetti. The cemetery permeates the novel with an intense sense of place. (To research HFS, the author became a tour guide there; her deep knowledge infuses the novel.) Soon after the twins take possession of the apartment they learn that auntie may not have passed over to the other side. Paranormal shenanigans ensue.

Her Fearful Symmetry is far darker and more complicated and twisty than The Time Traveler’s Wife. The main characters are not what they seem and do stunningly selfish and cruel things; regardless, you find yourself seduced by them and ultimately caring about their fates. The ending is not tidy and requires a serious suspension of disbelief—I still have not decided what final outcome Niffenegger insinuated for one of her characters— though it is strangely uplifting. No spoilers here, but the concluding scene has a poetic justice/beauty about it that moved me deeply.

And yes, I cried at the end, though not the huge gulping sobs that TTW induced in me.

I hope you’ll also read Her Fearful Symmetry. I’d be interested to hear what others think of it since I suspect this is going to be a divisive book that some will adore, others may not. I loved it. It’s especially perfect for this time of year, as we gear up to the night when the “veils between the worlds are thin.”

If you do read, watch out for the Little Kitten of Death. Yup, it’s that kind of book.

~ On Joanna Powell Colbert’s beautiful Gaian Tarot blog, I was interviewed about translating the Goddess Tarot into the digital age. Read it here.

~ Tarotist Beth Owl’s Daughter asked me to write a post about The Artist’s Way and goddesses which garnered some interesting comments. Read it here.

~ Finally, fellow Brooklynite, tarotist, and author Elizabeth Genco (aka the Marketing Goddess) interviewed me about the business end of making art. Read it here.

———————————

Just reading over this list makes me realize how ridiculously and dizzyingly busy August was. Besides launching The Goddess Tarot app, I’ve also been traveling, working, dealing with home renovations, sold several decks, and even held a tarot salon. No wonder I’ve been quiet here on this blog!

But now it’s September, and you might be wondering what this new month holds for me. While work isn’t slowing down for me, it is easing up in terms of must-get-this-down-now-or-else pressure — always a welcome development. So I plan to be back to a more consistent posting schedule on this blog.

I also have two wonderful blog guests scheduled for September, to make up for skipping August’s. Lisa Hunt will be interviewed by me about her newest publication, The Fairy Tale Tarot. I have a copy here and it’s a real beauty! Urban shaman Mama Donna Henes will also be stopping by to discuss her inspiring book, The Queen of My Self.

As for my own creative efforts, I’m back to revising my long-aborning New Book and finalizing the Doomed Queens-themed card decks for publication. Plus there are new iPhone apps in the works, including one featuring the Lover’s Path Tarot.

Info on these — and more! — to come soon.