the accidental retailer

Since my open studio (see previous post), I’ve thrown myself back into finishing up Doomed Queens. Though my deadline is July 15th, I need to finish everything by July 7th — a vacation with nonrefundable plane tickets awaits.

On the art end, I’ve six more full page drawings to go, out of fifteen. Most of the spot drawings are finished or can be filled out with old drawings and woodcuts. (Did I mention that I’ve included period art in Doomed Queens? These pieces range from medieval manuscript paintings to Victorian etchings. I think they give the book a rich playfulness.) Of these last six drawings, five of them are started (ie: sketched and transferred onto watercolor paper); one awaits a last piece of photo reference before I can start on it.

On the text end, my editor just sent me second page proofs. These mainly consist of moving a comma here, a sentence break there. In other words, we’re very close to the end and are just burnishing the manuscript to a sheen.

And what of the open studio for Kris Waldherr Art and Words, my little storefront studio-gallery? Well, it’s apparently engendered a lot of buzz in the ‘hood. Those who attended the open studio seemed stunned by what they discovered here and lingered a while to drink in the atmosphere. I guess Arts and Crafts-style ataliers aren’t run of the mill, even here in hipster Brooklyn. A typical comment: “I would have never expected to find this here. But then I would have never expected to find this anywhere. It’s so beautiful.” Based on others’ recommendations, people have been knocking on my door to view art, to buy books, ask questions about my work, solicit advice about publishing, and more.

This has forced me to consider what I intend for my studio-gallery. Do I want to be in retail? Not in the traditional sense — I don’t want to be a storekeeper or gallerina. But I do love the idea of creating an environment to share my work with the public, where the art and books on display just happen to be for sale. I also love the idea of hosting events where I can create experiences that offer beauty, wit and wisdom, especially if they inspire others to go forth and do good in the world.

In a much smaller, rudimentary way, Kris Waldherr Art and Words (the storefront) is my Red House. I intended it as a physical place where I could explore ideas about beauty and environment. The reason I chose to rent a storefront, instead of a private studio, was because it offered more opportunities for sharing with the community.

So toward that end, Kris Waldherr Art and Words will be officially open to the public Saturdays 12 to 4pm. In the autumn, we’ll start presenting events such as readings, a film series, even a tarot night or two. Click here for more information and a small preview of what we’re planning.

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grand opening! and a tour inside Kris Waldherr Art and Words

The opening of my storefront studio-gallery during the Flatbush Artists Studio Tour attracted over two hundred people! Here are a few photos from the event.

The entrance to Kris Waldherr Art and Words.

Art on display. Some of my children’s book paintings were hung at kid height, to be better appreciated by those under four feet tall.

The reading nook. Notice the artistic contribution by Thea.

More art on display. Many of the pieces are the small paintings from The Book of Goddesses and The Lover’s Path.

More work on display, including my Cupid and Psyche violin.

The kids really enjoyed looking at art. Here a few of them are discussing whether the pegasus is a cow or a horse or a bird. No consensus was reached.

Right now, I’m back to working on Doomed Queens. The end is in sight, which is a good thing — everything is due by July 7th (which is less than a month away. Yikes.).

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save the date!

Though I’ve posted this over on my “events” page, I thought I should mention this here.

I’m opening my new studio/gallery to the public for the first time in June, as part of the Flatbush Artists Studio Tour! Autographed books, art, prints, cards and decks will be available for purchase. 27 artists will be participating in this self-guided studio tour located in historic Victorian Brooklyn.

Here’s the pertinent info:

June 7 - 8, 2008, noon to 5pm:

Kris Waldherr Art and Words
1501 Newkirk Avenue (entrance on Marlborough Road)
Brooklyn, NY 11226

Directions: Q train to Newkirk Avenue. Studio is around the corner from subway.
Street parking is available.
Map and driving directions.
for further info: e-comment at artandwords dot com.

I hope to see some of you then!

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publishing 101: self publishing, take two

In my neck of the woods (better known as Ditmas Park, Brooklyn), Publish Yourself! offers aspiring authors a authentically DIY publishing experience. It’s also the offspring business from my favorite local coffee house, Vox Pop, where I’ve enjoyed many a playdate with other busy moms-of-toddlers.

Our local NBC news affiliate recently featured Publish Yourself! in a short piece. It’s an interesting take on  how easy it is to get a book in print, though the piece offers little regarding the realities of book distribution. As my literary agent would say, publishing is more than just printing up books.

Click here to view the Publish Yourself! video

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a message from Lisa Hunt

Some of you may be aware that one of my dearest friends is Lisa Hunt. Lisa is the gifted artist behind several popular tarot decks; these include the Animals Divine, Shapeshifter and others. Lisa e-mailed me today with distress news: Someone attempted to steal her identity on a fantasy art website.

Sounds bizarre, doesn’t it? I mean, what would someone “get” from impersonating a known illustrator on a board? The thrill of attention? Someone clearly has too much time on their hands — time which would be better spent doing something worthwhile.

While Lisa’s story may seem an isolated event, it’s not. This has happened before. I hope it won’t happen again, though.

Lisa has asked me to post this message on her behalf:

————

“Recently, a moderator for an art forum advised me that the infamous “Stacy English” has been ripping off my name and artwork. This is not the first time someone has attempted to pose as myself. I’m trying to understand why anyone would want to steal my creative identity in this manner to begin with–what is there to be gained from it? Thankfully, members, with an astute eye for fraud, brought the impostor to the attention of the moderator and the individual was prevented from posting

“Unless an art group is listed on my links page and/or appears in a legitimate gallery with obvious copyright permission granted (and I am selective about where and how my art should appear on the web), assume it is an impostor. To everyone: I would greatly appreciate you helping me to stop this kind of unwelcome behavior by those who have seemingly nothing better to do than to pretend that they are me. Please e-mail me if you think someone is ripping my artwork off. Thank you for your kindness and support–and for other artists, beware of imposters! No one is immune from falling victim to art/identity theft. But by spreading the word and keeping informed, we can help prevent the proliferation of such perfidious behavior and protect our artistic integrity.”

————

It’s sad that it’s necessary in this day and age that a hardworking artist such as Lisa has to remind people of the rights she is owed. I suspect that, with the abundance of riches on the web and in print, people assume that if something is posted or published it’s fair game to be used as they decide. One example: a music video producer informed me that since they had purchased my tarot cards they had purchased the right to reproduce them on television.

Not so. Just because artists choose to share their work with their world doesn’t mean that their right to control how it is reproduced comes to an end. It’s like saying that once your child goes out into the world, anyone can take charge and do as they see fit.

As for people like Stacey English, that’s a whole other story. From what I’ve heard, this is not the first time she has attempted to impersonate well known illustrators on the internet. The compassionate response would be to state that Stacey clearly has some identity issues that she needs to work out. Then, instead of putting her energies toward taking credit for others’ work, she could then work on making her own art for a change. Hopefully no one will steal it from her.

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