It’s been almost a month since my last update. As you can imagine, it’s been an intense time between closing up the old studio (*sob*) and setting up the new one (yay!). Above and below are first looks at my new space. Above is my writing corner adorned by my Queen of Arrows painting from The Lover’s Path Tarot and a beautiful print of the Lady of Shalott (given to me by my friend Lunaea Weatherstone). Below is my new chalkboard wall which replaces the chalkboard wall of my previous studio. The peacock feathers are for inspiration.

Best of all, I have a studio view for the first time in over a decade. I can see several blocks all around. Cats in backyards, people walking, trees galore, squirrels and birds. Northern exposure, so no harsh sunlight on computer screens. It’s going to feel like a tree house of green once spring arrives.

It’s been a lot of work closing out the old for the new. (You may recall that besides moving my studio I also moved my home. Changes upon changes upon changes.) On top of all this, I’ve had some personal stuff going on that necessitated my attention and an unexpected trip to the West Coast. These interruptions are simply the realities of life when one has an elderly mother and a young daughter. All of this has pushed me behind on my January 31st deadline for THE LILY MAID, my novel-in-progress set in Victorian England. But what can one do except “make it work” (to quote St. Tim of Project Runway fame)?

However, a break awaits: I’m off to England for two weeks for a writer’s retreat. During this time, I plan to tie up the remaining plot threads for THE LILY MAID as well as finish researching the last details. For example, an entire section of my novel is set in the Cotswolds, a part of England where I’ve hardly spent any time. I’m also planning to revisit the Tate Gallery for a dose of inspiration from the Pre-Raphaelites and their cohort.Waterhouse’s Lady of Shalott painting is back on display there.

As for my intentions for the book, It would be lovely to come back with a ready-to-send-to-agent manuscript, but I’ll setting for the rest of the book being drafted after all these interruptions. Right now, I have about 95,000 words revised and polished to a high sheen. But I fear that the remaining 20K will be the hardest; they’re going to require the most amount of revising and reworking.

So here’s to the muses cooperating and nearly-completed manuscripts!

As I gear into the home stretch of this draft of THE LILY MAID, I’m reminded how I felt when I was nine months pregnant with Thea: so ready to get it over and also not believing that it would ever be over. This, on top of moving house and studio, makes me a very grumpy and overwhelmed camper. Bah humbug and all that! Regardless, here’s where I’m at right now with my novel:

~ I’ve revised about 320 pages of the manuscript. I have about another 120 to go. So if I revise 30 pages a week between now and my February 1, 2012 deadline, I should be okay. Right?

~ That written, based on the comments I’m getting from my wonderful critique partners, I’ve still a few last refinements to make. Not big deals, but they’ll help immensely with clarifying character motivation, plot arc, and all those important details that push a novel from “why did that happen again?” to “wow.” Hopefully. So I need to allow time for that.

~ I’m also off to England for two weeks in mid-January for my next writer’s retreat/last round of research trip. This time I’ll be staying in the Cotswolds, where a section of my novel takes place, as well as in London. Since daylight is short in the UK right now, I’m figuring I’ll research during the day and write at night. Having uninterrupted time is so useful for my focus at this stage, so I suspect this will speed up the process. But I will miss my family, especially Thea who is at such a delicious age right now.

Aaaannnnd in typing all this up, I’m starting to feel overwhelmed all over again. (Cue hyperventilation. Reach for paper bag.) But I know this is a normal part of the process when finishing up a big creative project—it will pass, the book will get finished, life will go on. On a related note, I was reassured to read via author Sandra Gulland that Sarah Waters (FINGERSMITH, AFFINITY) keeps a bottle of Rescue Remedy by her desk to help with writing anxiety. So I’m in decidedly good company these days.

Other news:

~If you’re in the NYC area, we’re having a studio closing party this Saturday at my “old” space—our last hurrah.So come by, say hello, and take a last gander at the space where I’ve created many projects very happily over the past four years. Children are decidedly welcome.

~Out with the old, in with the new: The new studio space is in the process of being set up. I’m pleased to announce that, instead of a chalkboard door, there will an entire chalkboard wall. I also have a view that goes for blocks—gorgeous! Photos to come soon.

~Finally, amid all this craziness, I was recently interviewed about my publishing career, writing process, and views on storytelling. Here’s some advice I gave for aspiring authors:

Q: What advice would you give to aspiring writers?

A: To jump in and not be afraid. To allow yourself to write badly and often—what author Anne Lamott calls a “shitty first draft.” She also advises that “perfectionism is the voice of the oppressor, the enemy of the people.” It’s so true! I’m convinced that writers who become successful (which I define here as published by an established publishing house, though there are many definitions of what constitutes creative success) are those who allow themselves to do just this. The craft of writing is in the fearlessness of beginning and the tenacious bravery of revising and rewriting. It’s also in the willingness to allow yourself to be criticized and rejected, though of course acceptances and accolades are far more pleasant…”

You can read the rest of the interview here.

—————————-

Above: The Lady of Shalott by J. W. Waterhouse, the painting which inspired THE LILY  MAID.

In the meantime, here are a few recaps from the following participants:

Elizabeth Kerri Mahon – author of SCANDALOUS WOMEN

Teralyn Rose Pilgrim – she has a series of posts about HNS.

Susan Spann – ditto as Teralyn.

C. W. Gortner – author of THE CONFESSIONS OF CATHERINE DE MEDICI and THE TUDOR SECRET.

Christy English – author of TO BE QUEEN.

I know there are lots of other HNS updates out there—send me your links if you have one. And my update coming soon!

Yup, that kind of weekend.

I have a long post brewing about the HNS conference for my next Publishing Monday feature. There was a lot to take in that I’m still processing. The sessions were thought-provoking and entertaining. Unlike most of the authors there, I wasn’t pitching or promoting a book (though I did participate in the group book signing for DOOMED QUEENS). My main goal was to build community so I’d feel less isolated as I continue with my Victorian-set novel, THE LILY MAID.

On that note, I was extremely fortunate to have the opening pages of THE LILY MAID critiqued by the esteemed and established authors Laurel Corona (THE FOUR SEASONS, FINDING EMILIE), Christy English (TO BE QUEEN), and Michelle Cameron (THE FRUIT OF HER HANDS). All three were extremely encouraging and helpful. They also surprised me by telling me how literary my writing was. Strange as it may sound, in some ways I’m so new to this fiction writing thing that I have no idea where my novel fits. Is it upmarket commercial? Women’s fiction? Historical fiction? Or some combination of genres? I’ve been describing THE LILY MAID as GIRL WITH A PEARL EARRING meets the early tightly-plotted novels of Sarah Waters with a soupçon of JANE EYRE. (If you can figure what genre this is, let me know.)

Frankly, I’m usually a loner when it comes to groups and organizations. What creatively-inclined introvert isn’t? However, by the time I left San Diego, I felt very much part of a vital, passionate publishing community. I can’t even begin to name all of the wonderful people I met who inspired me with their love of the historical fiction genre who I now consider friends. I’m also much clearer about the place my novel will have within the market and as literature. This alone seems a graduation as tangible in some ways as Thea’s little Pomp and Circumstance march in her classroom.

And now, I’m back at work. As usual, there are a gazillion projects underway as well as the usual household and childcare responsibilities. Foremost on my project list: finalizing the graphics for the Goddess Tarot android app and finishing up the Sacred World Oracle for U. S. Games Systems. On top of that, I’m workshopping fifty pages of THE LILY MAID at the Sackett Street Writers Workshop—a wonderful experience. The six other writers in my group are all so talented and insightful. Sackett Street specializes in small intensives with gifted writers, many who have MFAs or go on to get MFAs. (I was astonished my application was accepted since I don’t consider myself a dyed-in-the-wool literary writer. But after my critiques at HNS and at Backspace, I’m definitely rethinking this.) My first two chapters were workshopped last week, another graduation of sorts.

On a semi-related note, we’ve moved onto summer hours at the gallery through September. This is to allow me time to focus on my publishing deadlines. For more information, visit our events page.

This past week has been even more crazed than usual. (If such a thing is possible in Art and Words land.) But much of my busy-ness was in preparation for this weekend’s Historical Novel Society conference, which I’m attending for the first time. Now that I’m deep into revision land for THE LILY MAID, the timing couldn’t be better in some ways. I’m excited to see friends such as Mary Sharratt and Chris Gortner in person. I’m also thrilled that I’ll have the opportunity to meet authors such as Michelle Moran and Margaret George. (I’ll do my best not to go all fan girl.) As well, I’ll be signing DOOMED QUEENS during a group book signing.

I’ll do my best to post an update on the conference upon my return next week. But in the meantime, I have some big news for Android users: the Goddess Tarot app will soon be available for your phones and tablets. We’re doing our best to keep the app as similar as possible to the iPhone version. I hope that it will be on the market in July. This is a very major undertaking of resources, so I’m hoping it will be well-received! On a related note, the iPad version is still under development. I hope to have concrete news about that soon.

There’s lots more stuff going on—novel-writing workshops, travel planning, kindergarten graduations, and more. While I’m away, the gallery will be closed to the public and all that. But first things first: I still need to pack clothes and print out chapters and pack books. So to be continued next week!

I’m back from my writer’s retreat, which was semi-successful in that I made healthy inroads into what I planned for it. My intent was to write and complete a novel “bible”* for THE LILY MAID. My agent set this task for me during our last meeting, thinking it would help clear up some character motivation issues. As usual, she was right. But little did I realize that such a project requires more than three days’ concentrated labor—I managed to set up the document formatting and begin writing the first third. Even as such, the document came to well over 25,000 words!

As usual, I was too ambitious in thinking that I’d work 24/7 since I’d be without distractions and interruptions. The reality is that writing a novel bible is hard. So distractions were needed to clear my head.

The top photograph is the view from my hotel room from where I spent my writer’s retreat. Below is what I saw on a walk outside my hotel—daffodils everywhere surrounded by wildness stung by sea water. Beautiful!

And yet, if I turned my head toward another direction, here was my view.

Monster uber-resort. Atlantic City, baby. It’s all how you frame it.

For the record, I didn’t play even a single slot machine. Gambling makes me feel queasy—publishing is high stakes enough for me. But the hotel had an amazing spa, which helped to stoke the creative muses. After all, inspiration likes fire and water and heat.

As for finishing my novel bible, I’ve set up a schedule for the rest of it. It’s going to take me probably another week or so—maybe longer. Yikes!

On a totally unrelated note, congratulations to those who won copies of Stephanie Cowell’s CLAUDE AND CAMILLE! I’ve sent each winner an e-mail with instructions on how to claim your prize. I hope you enjoy it! This generous giveaway was courtesy of Crown Books.

———————————-

*I’ll write more about what’s involved in creating a novel bible next week.

Above are most of the research books I’m bringing with me on my latest novel writing retreat, which begins tomorrow morning. Hello, Umberto Eco and Oscar Wilde and 1880s’ Baedeckers! This time, I’m off to Atlantic City. Not that I like gambling—far from it!—but I do like cheap, luxurious mid-week hotel rooms where I can hunker down and stare at the ocean while ordering room service. Upon my return, I plan to write a guide entitled The Introvert’s Guide to Atlantic City, Or How I Went to AC and Avoided Slot Machines and Snookie.

My plan for these next three days: to finish writing the book “bible” for THE LILY MAID. My agent had given me this task when we last discussed my novel two months ago—she felt it would help me with this new draft—so time’s a-wasting. Another goal: to revise my first fifty pages anew, now that I’m armed with a new set of notes from said agent, her lovely and perceptive assistant, and two generous beta readers.

Meanwhile, I fear I’m starting to come down with laryngitis yet again. And I’m stretched out from trying to tie up all the various errands that need to be done before my departure, such as cleaning the hamster cage. (Don’t worry, Nibbles! I won’t let you down.)

But in the midst of this, I’ve had some wonderful news. My novel query for THE LILY MAID won the Backspace Query Contest for a scholarship to the Backspace Writers Conference. As part of my entry, I had to include my novel’s first two pages, so this feels like a lovely validation of where I’m going with this book. I’m really surprised—I never expected to win though, of course, one hopes to. I mainly entered the contest thinking it was a good spur for rewriting my novel synopsis, which has proved very helpful during the revision process. Anything else was icing on the cake.

So thank you, Backspace Writers Conference! I’m so pleased to be attending you.

I have several hundred photos from my trip, many of them research-oriented. One highlight was a visit to Highgate Cemetery’s West Cemetery to visit the grave of Elizabeth Siddal, Dante Gabriel Rossetti’s model, muse, and wife. Below is Rossetti’s Beata Beatrice, an oil painting he completed of Lizzie (which is how her many knew her) several years after her death from a laudanum overdose. Though her passing was ruled death by misadventure, she may have left a suicide note which her husband destroyed. However, Lizzie was a gifted poet and painter in her own right, a fact often overshadowed by the Sturm und Drang particulars of her association with Rossetti.

The fragile condition of Highgate’s West Cemetery leaves it closed to visitors except by advance arrangement. I feel very fortunate to have had such a special experience. I am grateful to Justin, my guide at Highgate, who was both knowledgeable and tolerant as I paid my respects.

I was pleased to see that someone else had recently visited Lizzie’s grave—I added my offering of a peach-colored rose to the red flowers already there. Lizzie’s plot in the Rossetti family enclave is located down a hidden, isolated and ivy-strewn pathway slick with autumn leaves. Justin said that she’s visited by more men than women–and the men tend to weep. One even became visibly angry and ranted about how she was abused by Rossetti. “I think the women who visit are made of sterner stuff,” my guide concluded.

Lizzie’s tragic life is included in THE LILY MAID as a cautionary tale. In this excerpt from my novel, my protagonist Elizabeth is warned about the dangers of being a muse from her ex-fiance:

Charles began, “Elizabeth Siddal was the muse for Dante Rossetti, the most famous Pre-Raphaelite of them all—”

“—Don’t bore me. I know who Rossetti is,“ I interrupted. “And I told you, Mr. Dulac is not a Pre-Raphaelite.”

“Doesn’t matter. All artists seek inspiration—a muse, if you will.”

“Indeed.”

“Everyone should have a muse. But nobody should have to be one.”

Charles’ eyes met mine, daring me to ignore him…. His voice became low. “Elizabeth Siddal posed for some of Rossetti’s most famous paintings—Beata Beatrice, Paolo and Francesca. His poems are about her. You know this one:

‘At length their long kiss severed, with sweet smart:
And as the last slow sudden drops are shed
From sparkling eaves when all the storm has fled,
So singly flagged the pulses of each heart….’

I flushed, remembering.

Charles continued, “Anyway, Rossetti claimed to be in love with Miss Siddal—that she was the only one who could inspire his art. But he soon tired of her, beautiful as she was, and replaced her with another muse, Jane Morris. Miss Siddal did not take it well. Sure, Rossetti did the right thing and married her, but she never recovered from losing that influence over him. It was like a drug to her. So she replaced it with another drug, laudanum. She died at the age of thirty-one from an overdose.”

I was disturbed, but determined not to show it.

“When she died, Rossetti tucked his only copy of his poems in her coffin next to her long copper hair. He regretted it, so he had the coffin exhumed from Highgate seven years later.”

THE LILY MAID is about a young woman who becomes a model to a charismatic artist and his wife and, in the process, uncovers a mysterious tragedy. It’s set during the Aesthetics art movement in 1880s London. You can learn more about Elizabeth Siddal and her work at LizzieSiddal.com and PreRaphaeliteSisterhood.com—both wonderful sites. I also highly recommend Lucinda Hawksley’s biography, Lizzie Siddal: Face of the Pre-Raphaelites.

————————————————-

It wouldn’t be a Publishing Monday post without some mention of publishing. As I posted last month, my new e-book imprint Art and Words Editions is officially launched! I’m especially pleased that all of our Fall books have been approved and released by Amazon, BN.com, and Apple.

Our newest addition—and one which I’m especially proud of—is Lisa Hunt’s Soul Drawings. Thie e-book original is a stunning look at the fine art of this much-loved illustrator whose many publications include the Fairy Tale Tarot, Animals Divine Tarot, and Celestial Goddesses.

Soul Drawings is available for $9.99 in iBooks, Kindle, Nook, and PDF formats; the PDF will work on any computer. View excerpts from the book here. In addition, you can download a free chapter and art here from Apple, BN.com, and Amazon.

In January, we’ll be posting an exclusive and candid Q&A with Lisa about the creation of Soul Drawings as well as a video detailing what goes into creating a “soul drawing.” Not to be missed!

Friday, November 19, 7-9:30 pm
Creative Women’s Networking Salon

Are you an artist, writer, or creative entrepreneur and practioner? Come out and meet other like-minded women for conversation, inspiration, and wine. At previous salons, we were joined by photographers, crafters, publishing people, designers, artists, writers, and illustrators. Suggested donation: $5 for refreshments.

This event takes place at:
Kris Waldherr Art and Words studio-gallery
1501 Newkirk Avenue
entrance on Marlborough Road across from Rite Aid
Brooklyn, NY 11226
347-406-5811

Hope to see you there!

——————————-

In other news, I’m off to London on Tuesday (yes, this coming Tuesday!) for just under a week. Though the primary purpose of my trip is to research THE LILY MAID and the long-aborning DOOMED QUEENS follow up, I have another important task to take care of: I’m bringing my grandmother’s ashes “home.”

My grandmother, Doris Ivy Prince, was born in Kent, England but migrated to the United States as a young woman with my mother. Nana passed away two years ago at the very ripe age of 92—I know she always wanted to return back to noble Albion.

I plan to scatter her ashes in a lovely field outside the Anglican church where she worshiped so many years ago. Here’s hoping for a lovely day, or at the least, one without a heavy downfall. Having lived in the UK for a year, I’m too aware of the capricious quality of English weather.

On the research side, I have a very full plate! I plan to visit:

The V & A (research and inspiration)

The Tate Gallery (to visit Waterhouse’s The Lady of Shalott and Rossetti’s Beata Beatrice)

Primrose Hill (an important character in THE LILY MAID lives there)

Royal Academy of Art (a scene takes place during a Royal Academy vernissage)

The Museum of the City of London (to research Victorian London)

Oxford (another key scene in my novel takes place there)

Highgate Cemetery (to visit the grave of Elizabeth Siddal, Rossetti’s tragic muse)

Liberty of London’s (inspiration and retail therapy)

and much more. My hotel (in South Kensington, natch!) has wifi—will do my best to update while I’m there.

Friday, October 15, 6–10 pm
ON THE ROAD OF BONES: Ghosts of the Siberian Gulag Along the Old Kolyma Highway
Art Exhibition Open House and Reception

An evening of celebrating Russian and Siberian cultures with champagne, northern cuisine, native arts and crafts, and live “chat” with the photographers in Yakutsk. Children welcome. Suggested donation of $5.

Through photography and mixed media, this exhibition reveals the secret history and natural beauty of Kolyma, formerly the land of Soviet labor camps and the coldest inhabited region in the world. Stunning new works by young native Siberian photographers Bolot Bochkarev, Nastya Borisova, and Ajar Varlamov trace the remains of the vast highway built across the taiga, tundra, and permafrost of North Asia by Stalin’s prisoners. “On the Road of Bones” juxtaposes the events of the hidden past with the power of the frozen landscape and the contemporary lives of people in the far north. Learn more

Visit the official website at OntheRoadofBones.com.

Read more about this exhibit on the Ditmas Park Blog:
http://ditmasparkblog.com/news/siberia-the-beauty-and-the-beast#more-7195

We hope to see you there! For directions to the gallery, click here.