It’s been almost a month since my last update. As you can imagine, it’s been an intense time between closing up the old studio (*sob*) and setting up the new one (yay!). Above and below are first looks at my new space. Above is my writing corner adorned by my Queen of Arrows painting from The Lover’s Path Tarot and a beautiful print of the Lady of Shalott (given to me by my friend Lunaea Weatherstone). Below is my new chalkboard wall which replaces the chalkboard wall of my previous studio. The peacock feathers are for inspiration.

Best of all, I have a studio view for the first time in over a decade. I can see several blocks all around. Cats in backyards, people walking, trees galore, squirrels and birds. Northern exposure, so no harsh sunlight on computer screens. It’s going to feel like a tree house of green once spring arrives.

It’s been a lot of work closing out the old for the new. (You may recall that besides moving my studio I also moved my home. Changes upon changes upon changes.) On top of all this, I’ve had some personal stuff going on that necessitated my attention and an unexpected trip to the West Coast. These interruptions are simply the realities of life when one has an elderly mother and a young daughter. All of this has pushed me behind on my January 31st deadline for THE LILY MAID, my novel-in-progress set in Victorian England. But what can one do except “make it work” (to quote St. Tim of Project Runway fame)?

However, a break awaits: I’m off to England for two weeks for a writer’s retreat. During this time, I plan to tie up the remaining plot threads for THE LILY MAID as well as finish researching the last details. For example, an entire section of my novel is set in the Cotswolds, a part of England where I’ve hardly spent any time. I’m also planning to revisit the Tate Gallery for a dose of inspiration from the Pre-Raphaelites and their cohort.Waterhouse’s Lady of Shalott painting is back on display there.

As for my intentions for the book, It would be lovely to come back with a ready-to-send-to-agent manuscript, but I’ll setting for the rest of the book being drafted after all these interruptions. Right now, I have about 95,000 words revised and polished to a high sheen. But I fear that the remaining 20K will be the hardest; they’re going to require the most amount of revising and reworking.

So here’s to the muses cooperating and nearly-completed manuscripts!

Magick for Terri is a fundraising auction to help much loved editor, artist and writer Terri Windling. She’s helped so many in the publishing community (including myself); now she need our help because of various health and legal issues.

If you don’t know who Terri Windling is, you’ve probably come across many of her creative works and just didn’t realize her involvement. Terri is the creator of groundbreaking fantasy and mythic art and literature over the past several decades, ranging from the influential urban fantasy series Bordertown to the online Journal of Mythic Arts. With co-editor Ellen Datlow, she changed the face of contemporary short fiction with The Year’s Best Fantasy and Horror and other award-winning anthologies, including Silver Birch, Blood Moon, and The Green Man: Tales from the Mythic Forest. Her remarkable Endicott Studio blog continues to bring music, poetry, art and inspiration to people all over the world.

As for myself, Terri was a huge help to me when I was a new illustrator fresh out of art school. She introduced me to my first literary agent and authors, encouraged me at a time when I really and truly needed it. I’ve never forgotten her kindness to me. She was there at a time when I truly needed someone to be.

On a “I must shop for the holidays season” front, there are some amazing offerings: an Alan Lee drawing, writing critiques from authors such as Theodora Goss and Delia Sherman, Neil Gaiman autographed items, prints, books, jewelry, and so much more. So Magick for Terri is a great way to get something special for your someone special and do good too.

I’ve become involved myself: I’ve donated an autographed Gwenhywfar giclée print (above) to help Terri out. But there’s only one day left to bid on it—the auction ends tomorrow, December 15th, for all items. So if you’re interested, go forth and bid. If bidding goes over $90, I’ll throw in other goodies to go with it.

As I gear into the home stretch of this draft of THE LILY MAID, I’m reminded how I felt when I was nine months pregnant with Thea: so ready to get it over and also not believing that it would ever be over. This, on top of moving house and studio, makes me a very grumpy and overwhelmed camper. Bah humbug and all that! Regardless, here’s where I’m at right now with my novel:

~ I’ve revised about 320 pages of the manuscript. I have about another 120 to go. So if I revise 30 pages a week between now and my February 1, 2012 deadline, I should be okay. Right?

~ That written, based on the comments I’m getting from my wonderful critique partners, I’ve still a few last refinements to make. Not big deals, but they’ll help immensely with clarifying character motivation, plot arc, and all those important details that push a novel from “why did that happen again?” to “wow.” Hopefully. So I need to allow time for that.

~ I’m also off to England for two weeks in mid-January for my next writer’s retreat/last round of research trip. This time I’ll be staying in the Cotswolds, where a section of my novel takes place, as well as in London. Since daylight is short in the UK right now, I’m figuring I’ll research during the day and write at night. Having uninterrupted time is so useful for my focus at this stage, so I suspect this will speed up the process. But I will miss my family, especially Thea who is at such a delicious age right now.

Aaaannnnd in typing all this up, I’m starting to feel overwhelmed all over again. (Cue hyperventilation. Reach for paper bag.) But I know this is a normal part of the process when finishing up a big creative project—it will pass, the book will get finished, life will go on. On a related note, I was reassured to read via author Sandra Gulland that Sarah Waters (FINGERSMITH, AFFINITY) keeps a bottle of Rescue Remedy by her desk to help with writing anxiety. So I’m in decidedly good company these days.

Other news:

~If you’re in the NYC area, we’re having a studio closing party this Saturday at my “old” space—our last hurrah.So come by, say hello, and take a last gander at the space where I’ve created many projects very happily over the past four years. Children are decidedly welcome.

~Out with the old, in with the new: The new studio space is in the process of being set up. I’m pleased to announce that, instead of a chalkboard door, there will an entire chalkboard wall. I also have a view that goes for blocks—gorgeous! Photos to come soon.

~Finally, amid all this craziness, I was recently interviewed about my publishing career, writing process, and views on storytelling. Here’s some advice I gave for aspiring authors:

Q: What advice would you give to aspiring writers?

A: To jump in and not be afraid. To allow yourself to write badly and often—what author Anne Lamott calls a “shitty first draft.” She also advises that “perfectionism is the voice of the oppressor, the enemy of the people.” It’s so true! I’m convinced that writers who become successful (which I define here as published by an established publishing house, though there are many definitions of what constitutes creative success) are those who allow themselves to do just this. The craft of writing is in the fearlessness of beginning and the tenacious bravery of revising and rewriting. It’s also in the willingness to allow yourself to be criticized and rejected, though of course acceptances and accolades are far more pleasant…”

You can read the rest of the interview here.

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Above: The Lady of Shalott by J. W. Waterhouse, the painting which inspired THE LILY  MAID.

While others are stuffing themselves with pumpkin pie here in the States, I’m off for a week-long writer’s retreat. My destination this time: Washington DC. My goal: to untangle the final third of THE LILY MAID for public consumption.

As you can read in my last blog post, it’s no secret that the past month of my life has been devoted to all things domestic. So I’m eager to reacquaint myself with the twists and turns of my novel. Most importantly, I want to finish roughing out for revision what remains of the book—I have just over two months before my agent is expecting to see the next draft . I know how everything ends (and, trust me, it’s a great ending), but I’m still fuzzy on how I’ll get there from everything I’ve so carefully set up with my first 80,000 words.

As I’ve learned too well while writing THE LILY MAID, writing fiction is a much more mysterious process than writing nonfiction. The above pictures give you a sense of the scope of what I’m dealing with: the notes, the research, the just plain muddling through-it-ness of it all. I know it’s a cliche, but characters really do take on a life of their own, determining plot, theme, and story arc. Often the only way to figure it all out is to go someplace quiet enough to listen to them.

So I’m listening. And I’m writing.

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Upon my return to Brooklyn next week, another major transition awaits me: Setting up my new work studio. Though it’s only four blocks away from my current Brooklyn studio location, the new Art and Words will be situated on the top floor of my new home—a more private location for musing and making art. Fortunately, I have a month of overlap because I have my current storefront-studio until the end of the year. But I’m not deluding myself—it’s still going to be a major amount of work.

(Yes, all this on top of finishing a novel and setting up a new household as well as being a mom to the most adorable six-year-old ever and other Life Stuff.)

Despite everything going on, we’ll be having a last public salon before I close the storefront on Sunday, December 18th. If you’ve never visited the studio, this is your last chance to do so before I move to my new space. I hope to see you there!

]]> http://kriswaldherr.com/blog/2011/11/creativity-friday-a-retreat-to-write/feed/ 0 http://kriswaldherr.com/blog/2011/11/moving-on/ http://kriswaldherr.com/blog/2011/11/moving-on/#comments Mon, 21 Nov 2011 19:47:59 +0000 kriswaldherr http://kriswaldherr.com/blog/?p=1829 One of my favorite sayings is that you can do everything you want, but just not at the same time. This past month has especially brought this point home to me—and I mean “home” in the literal sense.

Saying goodbye to our old apartment.

The moving van almost about loaded to go to our new home.

Beautiful tree greeting us at new home.

Inside the new home, post-move.

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And so, what’s next? Well, I’d like to write that I’ll be catching my breath, unpacking, and decorating to my heart’s content. But that will have to wait until after THE LILY MAID novel deadline in January. To be honest, this move felt a bit like being thrown out of the delivery room mid-labor. There I was, chugging along with my revisions and then everything came to an crashing halt (albeit for a very welcome and wonderful reason). Still, the muses don’t like being thwarted, so the nesting will have wait a bit.

To help get things moving again, I’ll be off on writer’s retreat for a week. Fingers crossed I’ll be able to catch up enough to feel less panicked about the state of my novel! Right now, I have about 85,000 words revised, with the final 35,000 to go. Here’s hoping I’ll build up enough momentum that it’ll be easy to tie up all those character arcs and plot threads. Just in case, I have a second retreat planned in January. This one is for two weeks in England near where my novel’s ending takes place. (Never underestimate the power of place to spur inspiration!)

]]> http://kriswaldherr.com/blog/2011/11/moving-on/feed/ 4 http://kriswaldherr.com/blog/2011/10/cleopatras-moon-giveaway-and-the-winner-is/ http://kriswaldherr.com/blog/2011/10/cleopatras-moon-giveaway-and-the-winner-is/#comments Sat, 29 Oct 2011 19:34:02 +0000 kriswaldherr http://kriswaldherr.com/blog/?p=1824

…. Congratulations to Indigene! An e-mail will be sent to you with information for claiming your copy of Vicky Alvear Shecter’s CLEOPATRA’S MOON. I know you’re going to enjoy this wonderful novel!

In other notes, it is snowing—SNOWING!—in Brooklyn this afternoon. Below is a view taken during my walk to the new house. This is the earliest snow I can remember in my twenty-plus years of living here. Is a long winter upon us?

On a related note, with NaNoWriMo around the corner, I’m feeling a twinge of nostalgia: It was two years ago that I started THE LILY MAID as a dare to myself. I’d always wanted to write a novel, but it seemed ridiculously improbable. After all, I’m trained as an artist and a designer, not as a writer. The writing I did was to support visual projects: illustrated books, card decks, iPhone apps. I thought NaNoWriMo would be a great way to get this fiction writing bug out of my system: “See, you can’t write a novel. Now go back to what you do know and love: Illustrated books.”

Little did I know what I was getting into. Or that I’d be transforming my life and career.

Jump forward almost two years: I’m now heading into the final revisions of THE LILY MAID which will hopefully be submitted to publishers in early 2012. It’s come a very far way since that initial (and admittedly awful) first draft of 50,000 words which I completed in November 2009. Still, there was something about the story, characters, and process which enthralled me enough to keep going despite the steep learning curve awaiting me. To keep working at it.

And I’m so glad I did. You know those dreams where you discover a room in your house that you didn’t know existed before? And the room is impossibly large and beautiful and magical? That’s what writing THE LILY MAID feels like to me.

Since November 2009, I’ve written and revised many, many thousands of words to construct a 110,000 word novel. I’ve workshopped various chapters at various venues including the Sackett Street Writers Workshop and the Historical Novel Society conference. I’ve had instructors and beta readers tell me, “Keep going. You’re not crazy to write this book.” I’ve gained amazing critique partners who have helped me along the way with their no-punches-held feedback and insightful comments. I kept writing. And in time I became more confident as a novelist. More confident in the choice I’d made to pursue fiction writing as a career path. As a result of this, I made the incredibly difficult decision to change literary representation for my fiction writing. As delighted as I am with my new agent, I adore my previous agent who was instrumental in my creation of DOOMED QUEENS and THE LOVER’S PATH. But because of THE LILY MAID, I’m no longer the author I was. My personal narrative has shifted.

The latest reflection of my shifting narrative is an unexpected one. After four years at our current location in Brooklyn, Kris Waldherr Art and Words is moving four blocks away to new, spacious, and appropriately Victorian digs at the end of the year. We weren’t planning to move, but the new space—a four floor Victorian house—is so stunningly beautiful we couldn’t resist. It’s simply one of the most beautiful spaces I’ve ever been in: stained glass, wood-burning fireplace, a garden and more. My new studio will comprise most of the top floor—an atelier surrounded by trees and sky.

As much as I’ve loved having my studio in a street-level storefront, my new space feels more appropriate for all the writing I’ve been doing. Here’s the other strange thing: the house looks like one I described in THE LILY MAID. In the book, the house is inhabited by a famous artist and his wife and is famed as an example of Arts and Crafts style. Life imitating art.

The house description from THE LILY MAID:

Applewood Grange looked smaller inside than it did from the outside—more like a farm house than a grand manse. Though it was empty of most furniture, it didn’t feel empty. First off, it was beamed in the busy Tudor fashion of dark wood against plastered walls the color of bleached sunlight…. As I looked around, I decided that the daytime showed the drawing room at its best. That was because its windows overlooked the river and trees beyond, making it seem as though the house was suspended within wood and water.

To the back of the drawing room awaited a wide stairway, which led upstairs. At the top of the stairs, sunlight welcomed us from a large window placed at the top of the landing. Tucked underneath the window was a built-in oak bench, adorned with several mismatched cushions and a handy selection of books. A door rested sharply to the right of the landing….

If Dulac’s studio at Primrose Hill was a cabinet of curiosities with so many artifacts and decorations that they overwhelmed and dazzled, his studio at Applewood Grange was closer to a monastic cell. Like the drawing room, it was humble in the Tudor style with low ceilings and white-washed plaster walls. The floors were lined in rough hewn oak planks, unlike downstairs. Though the room wasn’t terribly large, it was also infused with light, as the stair landing had been—the furthest wall from the door featured four diamond-paned windows…. I imagined that in summertime the sun would be less overwhelming because the trees would be heavy with foliage.”

I’m a bit stunned by how quickly this has happened, but it feels organic in retrospect—a reflection of my shifting life narrative from artist to novelist.

Right now I’m overwhelmed with logistics since we’ll be moving our living space (and several thousand books!) at the same time. As you can tell from the above photo of our new space, we’ll be in transition for a while. Rest assured, there will be a last salon at the “old” space in December to close out the old and welcome the new—I’ll announce the date in November. In time, I plan to have salons at the new space, but it will be more intimate. And yes, there will be absinthe and a fainting chaise.

I’m so excited that my amazingly talented and cool cousin Vicky Alvear Shecter is my guest for today’s Creativity Friday. Vicky is not only the author of two nonfiction books, ALEXANDER ROCKS THE WORLD and CLEOPATRA RULES, but also a novelist. Her first novel CLEOPATRA’S MOON (Arthur A. Levine Books) has recently been published to rapturous reviews from The Wall Street Journal, EW.com, Publisher’s Weekly and many other venues. From the L.A. Times review:

Eyes ringed with kohl, her lithe body draped in a tunic, Cleopatra VII has been memorialized ad nauseam in numerous art forms, from paintings and opera to film and a seemingly endless string of books. The reason is simple: The last queen of Egypt was an exotic blend of power and beauty whose brief life came to a tragic end when she committed suicide with the help of an asp. Now her only daughter, Cleopatra Selene, is getting the historical fiction treatment in a beautiful new novel for young adults….”

Whenever Vicky and I get together for family gatherings (alas, she lives in Atlanta; I live in Brooklyn, so it’s not often enough) I love talking about writing and publishing with her. She’s smart, funny, and wise as well as totally inspiring. Last time she was in New York, our conversation swerved from Dante and Beatrice to literary agents to gothic doubling in JANE EYRE. Oh, and we also kvelled about our daughters—but that’s to be expected, right?

With National Novel Writing Month beginning November 1st, I asked Vicky if she had any advice to share. In her post, she suggests how to reframe NaNoWriMo so it’ll work for your writing goals. But wait, there’s more: we also have a giveaway of CLEOPATRA’S MOON to one lucky blog commenter. Information on how to enter below!

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With NanoWriMo just around the corner, I must confess: I couldn’t do it. I tried, I really did. Several times. I’m amazed at writers like Kris who can do this, and do it well. [Note from Kris: "Do it well"—well, that's a matter of opinion. ] I’m especially eager to read The Lily Maid which I know she jump-started with NanoWriMo.

It took me a while, though, to learn to reframe my inability to “do” NanoWriMo and see it, not as a failure, but as an acceptance of my individual process. It forced me to pay attention to how I worked, which was very valuable. What I discovered was that scenes “unfold” in my mind—almost like mini-movies—which I then write down, editing as I go.

No amount of forcing or staring at a blank screen can “make” these cinematic scenes appear. They do not come to me on demand. Instead, they often percolate up while I’m walking. So when I’m moving, I’m usually “writing” and when I’m writing, it’s thanks to the walking. (Sometimes driving too, but I probably shouldn’t admit that.)

Learning about and accepting my process gave me the freedom to really sink into the sensory experiences of my scenes, which I found very important in writing historical fiction. Beyond “seeing” the scene, I wanted to feel it, hear it, smell it and taste it.

So, for example, when I had my protagonist, a young Cleopatra Selene, meet with the Priestess of Isis, I wanted to capture the entire experience sensorially—hearing the droning chants of priests and jingling of sacred sistrums; tasting the tangy-yeasty bite of ritual Egyptian beer; smelling the metallic-sweet scent of blood from a sacrifice; seeing the Priestess painting a magical symbol in the sand with a blood-smeared brush and so on.

I love historical fiction for its ability to take me to another place and time, so I wanted to evoke that sense for my readers as well.

So if you are preparing for NanoWriMo, good luck. But if you discover that it doesn’t work for you, don’t despair. Turn it into an opportunity to examine what DOES work for you and then…well, do THAT!

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Vicky is generously giving away one copy of CLEOPATRA’S MOON. To enter, leave a comment here by midnight EST October 28; for a second entry, tweet or FB this link. Winner will be chosen by random and announced on this blog on Saturday October 29th. Sorry, US and Canada mailing addresses only.

More about the book: CLEOPATRA’S MOON is about the only surviving child of Cleopatra VII and Mark Antony. Based on real events and individuals in history, it tells the story of a young woman determined to carve her own future after the tragic loss of everything she’s ever known and everyone she’s ever loved.

The Sacred World Oracle celebrates the beauty and diversity of the earth and its creatures, utilizing myth, folklore, and nature to offer wisdom and guidance. It was created to offer you a simple way to access the wisdom of the natural world, just as humans have done since time immemorial. And now it is complete. All the files—art, text, and design—for the SWO are off to U. S. Games Systems, who will be publishing The Sacred World Oracle soon. In the meantime, you can try a three card reading with the SWO here. Enjoy!

I guess it’s no surprise that I’m not alone in possessing semi-artistically arranged piles of books in my workspace. For the record, here are two of my recent piles. I’m sure you can tell by their titles that these are all for my novel THE LILY MAID. And yes, that is a Tim Gunn bobble head doll. It’s autographed too. These days, I’m all about making it work!

On a related note, I’m about to jump in head-first to revising the rest of THE LILY MAID. My agent and I have agreed on an end-of January deadline for me to complete my next draft for reasons that are too soon to reveal. As things stand now, I’m about 2/3rds of the way through. Sooo, to make this goal doable, I’m streamlining my life until this novel is safely finished. I’ve planned several writer’s retreats. I’ve cut back on gallery hours and events. I’m turning down lunch dates and other extra-curricular activities. I’m also tying up loose ends on other projects such as the Sacred World Oracle (which is just about finished). My lovely beta readers have been placed on alert.

The reality is that book deadlines require me to go into my “cave*”. Much as I want to do everything, I realize it’s not possible for me to do so right now. Nor do I want to, frankly. I’m adoring writing THE LILY MAID. More importantly, I’m at the stage where it’s emotionally distressing not to be working on it.

So here’s to the final marathon. May I have lots of gaterade along the way and no shin splints!

* Phrase courtesy of the lovely Christy English, author of TO BE QUEEN.